Val Lewton Horror Collection (DVD)
Warner Home Video offers a treat for cultivated horror tastes with The Val Lewton Horror Collection, boxing together nine of the producer’s classics and the documentary Shadows In The Dark — promising “10 times the terror!”.
Though his career was cut short by a combination of
The Collection’s most-known mainstream film is probably 1942’s Cat People, directed by Jacques Tourneur.
“She was marked with the curse of those who slink and court and kill by night!” proclaimed the poster for Cat People. Meet Irena Dubrovna (Simone Simon), a beautiful and mysterious Serbian-born fashion artist living in
The very nicely presented boxed set also has:
Bedlam (1946) — About the notorious, real-life St. Mary’s of Bethlehem Asylum (aka, Bedlam). Commentary by film scholar Tom Weaver.
Body Snatcher, The (1945) — Boris Karloff stars as a grave-robber. Based on a short story by Robert Louis Stevenson, this period piece is a strange and surreal excursion into the heard of darkness. Commentary by film scholar Steve Haberman. Quotes from director Robert Wise.
Curse of the Cat People (1944) — Not a true sequel, and certainly not scary, Curse of the Cat People is still an interesting and engaging ghost story permeated with a real sense of wonder and magic from a child’s point of view. Commentary by film scholar Greg Mank.
Ghost Ship, The (1943) — An offbeat tale that takes place aboard a sprawling ship that’s been the site of several mysterious deaths.
I Walked with a Zombie (1943) — An interesting look at
Isle of the Dead (1945) — Boris Karloff stars in this chiller about plague and vampirism.
Leopard Man, The (1943) — Not a mutant transformation movie, but something more along the lines of Murders in the Rue Morgue, The Leopard Man follows the simultaneous events of a leopard escaping its cage and a madman on the loose in New Mexico. Commentary by Exorcist director William Friedkin.
Seventh Victim, The (1943) — A
Shadows in the Dark — A featurette which has comments from modern-day horror directors like John Landis and George A. Romero on Lewton, plus outlines Lewton’s career from his apprenticeship under David O. Selznick during his Gone With The Wind days to his untimely death.
This Val Lewton collection, so nicely boxed and presented, is a must-have for any fan of classic horror.
= = =
Reviewed by Staci Layne Wilson