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  #441  
Old 08-06-2013, 11:01 AM
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  #442  
Old 08-06-2013, 11:04 AM
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Quote:
Originally Posted by hammerfan View Post
I'll have to pass on this one. Haven't seen any of those films.
I think you would like "Fire In The Sky". It was a pretty big deal when it came out for those of us who were big into UFO stuff at the time. D.B. Sweeny, Robert Patrick, James Garner. Very good movie and the abduction experiment scenes definitely gave me the creeps.
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  #443  
Old 08-06-2013, 11:11 AM
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Xtro is on my list, but still haven't seen it.
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  #444  
Old 08-06-2013, 11:14 AM
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Quote:
Originally Posted by realdealblues View Post
I think you would like "Fire In The Sky". It was a pretty big deal when it came out for those of us who were big into UFO stuff at the time. D.B. Sweeny, Robert Patrick, James Garner. Very good movie and the abduction experiment scenes definitely gave me the creeps.
Cool. I'll see if Netflix has it.
  #445  
Old 08-06-2013, 01:55 PM
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I would also recommend Xtro too to those of you who haven't seen it, especially if you enjoy weird/creative movies. I don't think it just appeals to fans of alien movies either - it's more horror than sci-fi.
  #446  
Old 08-06-2013, 02:15 PM
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Fire in the Sky - 4.71

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  #447  
Old 08-06-2013, 08:27 PM
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Quote:
Originally Posted by Kandarian Demon View Post
I would also recommend Xtro too to those of you who haven't seen it, especially if you enjoy weird/creative movies. I don't think it just appeals to fans of alien movies either - it's more horror than sci-fi.
Boy, I tell ya, I looked at the Xtro video box at the video store 20 times, always just inches from renting it. I thought it would be interesting to read what Roger Ebert thought of it in 1982. It's rather funny. Here's what he said.

Quote:


Roger Ebert May 31, 1983

"Xtro" is an ugly, mean-spirited and despairing thriller that left me thoroughly depressed. Why was this movie made? What vision filled the filmmakers with a desire to share this work with an audience? I am not expecting a great movie when I walk in to see something named "Xtro," but I do hope the movie will contain some humor, or style, or excitement. "Xtro" is the work of incompetent cynics.

It's a British film, opening with a spaceship taking away a little boy's father. Three years later, the lad still has nightmares about it. Now his Mummy lives with another man, and the kid plays with his pet snake. Then the aliens visit again, dumping one of their creatures by the side of a road. The creature is one of those standard special effects monsters, made out of plastic, slime, teeth and moans.

Through a process that the movie makes complicated without making interesting, this creature has the ability to attack humans and turn them into things that look like people but aren't. One of the creatures is the little boy's "Daddy," who figure's in one of the most uncomfortable dinner-party scenes ever put on film.

The movie settles into a curious pattern. The scenes of everyday events are done as a sort of bitter, understated British slice of life. They alternate with the special effects scenes, which are heavy on teeth, slime, pulsating eggs and things that bite you in the face.

There are fugitive moments of tenderness, as the little boy plays with his pet snake, Harry, but this idyll ends when Daddy eats Harry's eggs. There also are moments that fly in the face of reason. In one of them, the mother turns back her son's covers to find he is totally covered with blood. A doctor is called, but no wound is found. Next morning at breakfast, the boyfriend says it's time for the kid to go to school. "But what about last night?" asks the mother, not unreasonably. "Poof -- forget about it," says the boyfriend.

Most exploitation movies are bad, but not necessarily painful to watch. They may be incompetent, they may be predictable, they may be badly acted or awkwardly directed, but at some level the filmmakers are enjoying themselves and at least trying to entertain an audience. "Xtro" is an exception, a completely depressing, nihilistic film, an exercise in sadness.

At the theater where I saw it, "Xtro" was on a double bill with "Tootsie." Why? Possibly because a booker thought the combo of a third-run hit comedy and a first-run thriller might attract audiences. On a Sunday afternoon, the audiences that turned up for "Tootsie" were rather nonplused by "Xtro's" pulsating slime and bloody little kids. It's movies like this that give movies a bad name.
Double feature with Tootsie! lol. I confess I don't like nihilistic anything. He doesn't make it sound very inviting.

Anyway, I have to see Fire In the Sky; it's a hole in my cultural awareness. No scary ratings from me on these.
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Last edited by Sculpt; 08-07-2013 at 11:04 PM.
  #448  
Old 08-07-2013, 05:11 AM
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I don't think that guy liked Xtro much :D Well, it's not a movie for everyone... but I really love it, especially because it actually REALLY gives me the creeps - true story: as a teen I wouldn't have the video tape in my bedroom, because just looking at the title and being reminded of the movie would ruin my sleep :D The weirdness of the movie makes it seem like you're watching someone's nightmare.
  #449  
Old 08-07-2013, 05:26 AM
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In fairness, Roger Ebert never passed up the opportunity to bash horror.
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  #450  
Old 08-07-2013, 11:09 PM
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Quote:
Originally Posted by MichaelMyers View Post
In fairness, Roger Ebert never passed up the opportunity to bash horror.
That's true in comparison to most big critics. That's why I knew it would be funny. Ebert is the guy you want to review a "Terms of Endearment" important drama. Ebert gave Terminator zero stars... he had his mental blocks of appreciation. I'd read Gene Siskel for an action or horror film review.

Actually, I found the "At the Movies" Siskel & Ebert 1983 video review of Xtro.

http://youtu.be/nO66D07YvJs starting at 1:57.
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Last edited by Sculpt; 08-07-2013 at 11:55 PM.
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