![]() |
||||||||||||||||||||
![]() |
![]() |
![]() |
||||||||||||||||||
![]() |
||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||||||||||||
![]() |
|
||||
yeah...I know the title alone deserves a A- or solid A, but other than plenty of boobies and few lesbo activities it was a pretty average effort I think. I was expecting an epic actually!:D
__________________
@Letterboxd |
|
||||
Society (1989)
![]() A brilliant bizarre social satire! >>: A- Death Race 2 (2010) ![]() As a straight-to-dvd prequel, it's fantastic! Along with the action sequences the way they simply developed the story I think they did quite better than the 2008 Jason Statham remake. May be that hot South African chick (Tanit Pheonix) had an influence:o but overall I really liked it very much. >>: A-
__________________
@Letterboxd Last edited by roshiq; 01-02-2011 at 12:20 AM. |
|
||||
Le Samourai (1967). From the opening scene to the inescapable ending, Le Samourai is a flick that should have brought tears of boredom to the most patient of patrons. Instead, Melville creates poetry out of the mundane. The simple act of dressing becomes an exercise of heroic proportions. An extended chase scene on foot, where nothing exciting happens, becomes taut with tension, riveting the viewer in the inexplicable way of Melville's neuvo samurai. This is a movie that is far removed reality, dreamlike in expression, and expertly crafted by one of the best of France's quintessential directors. The existential absurdity of the central character is foisted upon our anti-hero, and this is where the Japanese warrior must make his choice, to live his code, or throw away the meaning behind his profoundly absurd ways. Alain Delon, France's pretty boy of cinema, brings to this character a calculating coolness that is inimitable. And as unbelievable as his character may be, its portrayal is sheer entertainment. At one level we may be thinking "Yeah right" but we are fully committed to enjoying the ride. This is where Melville's brilliance shines mightily. How this story is tied together, with wickedly unobtrusive camera work and editing, allows this excessively simple story to be transformed into an existential thread of art, with the most fascinating aspects of is magnificence perfectly hidden from the audience. The beginning and the end serve to reveal the emptiness of life constrained by the honor of habit, and the irony that choice both brings and takes life away. In the end, though we are rooting for our criminal protagonist, we know that fate could allot for any other end but that for which the samurai is most famous.
d
__________________
![]() Fate is my mistress, mother of the cruel abomination that is hope. |
|
||||
Quote:
Blood & Bone This was a great "beer movie",just a big,loud,dumb,bone cracking bundle of fun. 7/10
__________________
![]() |
![]() |
|
|