![]() |
||||||||||||||||||||
![]() |
![]() |
![]() |
||||||||||||||||||
![]() |
||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||||||||||||
![]() |
#1
|
||||
|
||||
horror essay
I am doing an essay on women in horror movies. Hopefully it won't turn into the average Final Girl essay although I do intend to discuss the phenomenon briefly.
I`m not even sure how I am going to phrase my thesis statement but essentially I am trying to prove that womens' roles in horror movies have changed from victim to heroine over the decades. 50s-60s- Women were the victim, always saved my a man. 70s- women were the ultimate survivors but seemed to survive at random. 80's- Women survived by using their wit, but by being the stereotypical prudish virgin were still viewed as masculine. 90's- Women like Sydney in Scream survived based on their smarts but challenged the stereotypical Final Girl views. (survived despite losing her virginity, and saving a male virgin from near death) I need to take this into the 2000s to really prove my point but I don't know where to go. I could discuss movies like All the Boys Love Mandi Lane- Where the lead female plays the sexy and gutsy heroine (not prudish) but also plays the monster. She is both victim and villain. The Descent deals majorly in feminism, and a woman's will to survive. Female vs. female violence and understanding who is the villain in the situation. Any ideas or reading I can do? I have already read Men, Women and Chainsaws by Carol Clover.
__________________
![]() |
#2
|
||||
|
||||
I've read every thing relating to this topic I could find using the search function and found nothing that really helps my cause.. Help?
__________________
![]() |
#3
|
||||
|
||||
i recall barbara creed's book monstrous feminine - but am not sure it will help with this.
i think andrew tudor's book monsters and mad scientists also does a historical read of horror films though not especially female. i wonder if high tension would fit? it has a definite feminist/lesbian chic going for it. i also recall a fairly good argument about sydney in scream in the book projected fears. there is also a good reader on feminism and horror called the dread of difference (though specifics related to your thesis don't come to mind). i wonder about the first hostel and even saw as an example of horror taken out of the 'female victim' mentality - perhaps a way of extending your analysis. good luck (i didn't even know you were in school)
__________________
Winner HDC Battle Royale I & HDC Battle Royale IV ![]() ![]() |
#4
|
||||
|
||||
Quote:
That coupled with Clovers thoughts on females being masculine as a way to keep with the usual stereotypes works well. but ya, I have been in school since December. It's a web design course where I am forced to relearn English and to do god-forsaken programming classes. Thanks for the help, those should really help me cement what I want to prove.
__________________
![]() |
#5
|
||||
|
||||
I think there are women in all those decades who belie those stereotypes. There have been scary/monstrous women in horror films since the beginning of filmic history- just a few examples would be the witches in Haxan, the Bride of Frankenstein, Wasp Woman, Countess Bathory, the Merrye sisters in Spiderbaby, the protagonist in I Spit on Your Grave, Ms. 45... those are ones that come to mind off the top of my head.
I would love to see an essay sometime that focused on scary women. I realise this dsidn't answer your question, or contribute anything constructive. Sorry. |
#6
|
||||
|
||||
Don't forget to discuss the role of women in horror as the anti-hero or the villain. Check out movies such as Hard Candy, Mordum and Haute Tension (as Zero mentioned) for a very different perspective on the modern womans role in horror.
Not to mention the womans role as the avenging spirit/ghost in Asian horror, going all the way back Kwaidan.
__________________
![]() |
#7
|
||||
|
||||
Onibaba would be another film to consider, as far as unique female roles.
__________________
![]() |
#8
|
||||
|
||||
Aspects of the Feminine by Carl Jung.
__________________
Horror and Bizarro novelist and editor |
#9
|
|||
|
|||
Horror, esse'
__________________
It's not the bullet with your name on it you have to worry about...it's all those other ones marked "to whom it may concern." |
#10
|
||||
|
||||
Onibaba is a great example. I second it too. Miss M, you have to check that out.
Also, for the post-2K scenario, Cherry Darling is a good example, and to an extent, Machine Girl. Both deal with women in situations loaded against them and their comebacks into it, all guns blazing. (pun intended) Teeth - if ever there was a definition of power of a female over men, this was it. And the makers knew very well what smug indications they hid behind the premise of this movie. I m sure I ll think of more...
__________________
"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche |
![]() |
Thread Tools | |
|
|