LAURIE eventually realizes it's useless to struggle, she
can't escape his strength. And just as you see the
acceptance in her eyes, she looks into MICHAEL's eyes.
MICHAEL jumps from the roof with LAURIE still in his
arms.
Once they’re in midair it begins going in SLOW MOTION as
they fall.
It then shows an image of SHERRIFF BRACKETT pulling up
in front of the building, underneath where LAURIE and
MICHAEL are falling, right passed JAKE's body.
It shows a shot of SHERRIFF BRACKETTS face looking up as
he sees them falling towards him, he gasps.
It then shows a shot above MICHAEL and LAURIE as their
bodies are falling towards the SHERRIFF's car.
It then picks back up to LIVE SPEED as they collide,
with the vehicle's roof, towards the screen, and as
they do the scene goes immediately black. (V.O.)
LAURIE/MICHAEL's MOTHER (V.O.)
Laurie, its mother. The pale horse
will lead you home, and Michael is
that pale horse, and it's his job
to bring you home. (pause)
He can't rest, until he does. But
right now I need you to wake up.
Wake up! Laurie
Use this dialogue to continue the movie!
But If you want it to end for good, at the LINE.
(BUT NOW I NEED YOU TO WAKE UP, remove that and
everything after, and replace it with.) WELCOME HOME,
LAURIE!
(You can end it here and series over, or go on and not
piss the fans off so much, and it can leave it open to
remake Halloween 4 :)
CUT TO:
SCENE #22 IT WAS ALL A DREAM
(Not sure how you'll want, to do this but I’ll give you
two ways, both good in my opinion. Immediately
following the V.O. take one image from each scene cut,
quickly rewind it with the sound of high speed rewind
all the way past this movie to the previous movie to the
scene in the cabin, once there the following scene takes
place. Or you can just have it like someone is quickly
waking up from being unconscious into the next scene.)
(INT.) HADDONFIELD - CRIME SCENE - CABIN - OPEN FIELD -
NIGHT:
If you do the rewind thing up above it stops, as Michael
lays an unconscious LAURIE on the table in the cabin.
IF you don't do the rewind thing, Michael immediately
tries to begin stabbing LAURIE on the table, But she
alertly wakes up taking her mother’s advice, and rolls
off the table onto the floor.
It then goes to a scene outside the CABIN as DR. LOOMIS
is about to enter.
CUT TO: :confused:
I was thinking at the beginning when I did the flashbacks of H2's ending THAT I should add a scene where she is on the TABLE unconscious, Shaking her head as if she is dreaming first before the flash where she screams.
NOW the CRITICISM begins. Did I ruin it? Alot of the posts in WORST endings I seen a lot of you hate the dream sequence ending. But don't know how else DR. LOOMIS can live, in which he was in #4 and it adds meaning to Michael's intentions and a reason why he seems invicible to death, with THEIR MOTHER'S dialogue, since he can't stop until he brings her HOME! And I believe it's symbolic to MICHAEL'S self sacrifice at the end when he LEAPS OFF with her.
There is one more TWIST and DR. LOOMIS using his PSYCHIATRY trying to explain LAURIE's vivid DREAM. quite of bit still resolved after this.
The twist won't be too much of a surprise to older fans, as it is a part of the overall story. But the newer fans will be like, what a fucked up FAMILY.
It's Funny because I didn't think about it until now. But I have a little BIT of NIGHTMARE ON ELM ST., with the dream. FRIDAY THE 13TH some of the deaths, the morgue enviroment in JASON GOES TO HELL, and OFCOURSE HALLOWEEN. I think this one would do pretty good in the theaters, I WANNA SEE IT! But ofcourse I do!
(MichaelMyers) I know you want to kill me. But that's your damn JOB! :D
Where is my HORROR OSCAR? lol:p