(INT.) HADDONFIELD - LOGAN RESIDENCE - BASEMENT -
NIGHT - THUNDERSTORM - VERY DARK:
With SHERRIFF BRACKETT standing at the top of the stairs
looking down, he then slowly starts his descent, as some
lightning flashes out the small window, adding more light.
He flips a light switch and the light briefly comes on
and then goes out, with a loud pop as if the bulb busted.
He then reaches the bottom of the stairs, as the
lightning, lights the room again.
SHERRIFF BRACKETT
Oh my GOD!
CLOSE UP of the HEADLESS RAT on the floor lit by a flash
of lightning, as it then goes back to black with the
darkness of the room.
CLOSE UP of LAURIE's clipping that's circled in blood,
also lit up by the lightning, followed by a loud clap of
thunder.
SHERRIFF BRACKETT removes the clipping from the wall, as
it FADES to BLACK as the lightning fades.
FADE OUT:
SCENE #11: BACK TO THE MORGUE
FADE IN:
(INT.) HADDONFIELD - MORGUE - HALLWAY - DARK -
FALL NIGHT - THUNDERSTORM:
DEPUTY BOWERS enters the MORGUES main entrance, in the
very dark hallway. He begins very slowly and hesitant,
making his way, as he shouts.
DEPUTY BOWERS
BECKY! BECKY! Are you alive?
DEPUTY BOWERS takes a few more steps as he is becoming
worried with no response. He draws out his WEAPON, as
he heads down the dark hall doing a poor job of scanning.
CLOSE UP of a supply closet, that has its door cracked,
showing the large figure of MICHAEL standing inside, as
DEPUTY BOWERS passes right by, unaware of the danger.
He reaches the autopsy room doors and heads in.
CUT TO:
(INT.) HADDONFIELD - MORGUE/AUTOPSY ROOM - DIMLY LIT -
NIGHT:
DEPUTY BOWERS enters the room and immediately sees
BECKY's lifeless body with the BONE SAW stuck in her
head, as he realizes MICHAEL's body is also missing.
In a panic, he grabs his RADIO and begins reporting to
SHERRIFF BRACKETT. Standing just inside the autopsy room
doors, so the reply will surely echo down the hall.
DEPUTY BOWERS
(radio)
Sherriff! It's DEPUTY BOWERS! I'm
at the morgue and I got some bad
news. BECKY's dead Sherriff! I
don't see Michael's body anywhere.
The son of a bitch is alive,
Sherriff!
CUT TO:
(INT.) (X) HADDONFIELD - MORGUE - HALLWAY - DARK -
FALL NIGHT - THUNDERSTORM:
P.O.V. facing the DOUBLE DOORS entering the autopsy room
with a small light shining from within the room, through
the cracks of the doors.
SHERRIFF BRACKETT replies, as it echoes down the hall,
loud enough for Michael to hear in the supply closet.
SHERRIFF BRACKETT (V.O.)
(radio, response)
Now don't be crazy! That's exactly,
what Jake wants us to think! He
probably stole the damn body. Not
a bad way to cover up your mothers
murder, if you ask me. Make it look
like Michael did it.
CLOSE UP of MICHAEL, as he turns his head towards the
sound, curiously. Still standing in the closet.
DEPUTY BOWERS (V.O.)
You're probably right, Sherriff.
There is no way Michael could have
survived what he went through. Jake
got BECKY pretty bad though,
Sherriff!
SHERRIFF BRACKETT (V.O.)
Yeah that's terrible. I'm standing
in the psychos basement, as we
speak. I want you to get out of
there. I'll send someone else to take
care of the scene over there later. I
think he might be going to go after
Laurie. I want you to go ahead and
go to the Psychiatric Hospital and
keep an eye out there, in case he
shows up.
With the revelation to the whereabouts of Laurie, It
shows Michael ominously just waiting in the closet.
Then back to the previous shot in the hall.
DEPUTY BOWERS (V.O)
Roger That! Sherriff!
After DEPUTY BOWERS reply, he exits through the doors
into the hallway. As he casually begins his way down the
dark hall approaching the cracked supply closet that
contained MICHAEL.
Suddenly a mop handle falls from within the closet and
onto the hallway floor clanking loudly. Frightening
DEPUTY BOWERS, he jumps and grabs his gun, and then
cautiously approaches, unable to see inside. Once
reaching the door he quickly flings it open, seeing
nothing but an empty closet, as he takes a quick breath.
MICHAEL violently grabs DEPUTY BOWERS by his throat,
lifts him off the ground, and slams him to his back with
his head just inside the closet door, he looks up.
MICHAEL begins slamming the door into his head, until he
ceases to move, except the twitching of his nerves, and
with the last violent slam of the door, the scene CUTS.
CUT TO: :confused: