|
I believe this may have been my favorite episode of the entire series. So many different things going on. Even the direction was superior to what you'd normally see on a TV show. They rolled out as many camera tricks as possible- forced perspective, claustrophobic framing, weird angles, quick cuts, extreme light and shadow, mujted color palette, odd coloration resembling old film stock from the 50s in the scenes from the past, use of shots with no people in them, such as the shot of a desk with two chairs before it or the flames in the fireplace, certain musical cues. At times it really resembled a homage to Hitchcock or Polanski.
And then the plot itself:
They're really delving into some dark corners here, dipping into the heart of evil in American society. The government use of former Nazi scientists, forced sterilization programs, ice pick lobotomies.
We're still getting glimpses of the aliens.
And holy shit- the revelation of who BLOODY FACE is.
This is top notch story telling and filmmaking. It's making use of the one advantage episodic television has over feature films- the ability to develop a storyline and characters over a period of time.
With the proper team in place- writing, directing, good production values, great actors- this form can't be topped. This series is one of the best efforts I've ever seen.
__________________
Lee Widener, Author Website

Cartoon Artwork, Underground Art, Other Weird Stuff
|