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Originally Posted by fortunato
Yeah, I bought that one back when they re-issued it.
The special features are great. Some in-depth interviews with appreciators of the film and people that worked on it, and a lot of digging-into the film, which is especially great with a work like Salo.
By the way, if anyone's interested, here is an incredible article written on Salo by Ben Simington:
http://www.theauteurs.com/notebook/posts/347 |
Thanks for posting that article, it was an interesting read. It's so true that the symmetry Pasolini uses is so alarmingly constant that it is almost the scariest part of the entire film. If nothing else, it was his strongest tool on the path to total coldness.