We have a more fluid view to payments to all artists but especially writers. Each and every project will be slightly different as the writers are different and the requirements of them are different.

Normally a retainer is paid to secure a writer on a particular film. We would then negotiate a schedule with them of various payments - something along the writers guild outline.

And sometimes we might even buy-out any residuals on future income - depending upon the negotiating process.

Most importantly though, if a production company is worth its salt, then you should always come away with something upfront.

Hope that helps :)

Woz
FUBAR Entertainment