From Bauhaus to the Bates Motel
 

In the mid 1950s, graphic designer Saul Bass applied his interest in Bauhaus-era painters to the movie title sequences he was creating for Alfred Hitchcock (among others). He pioneered the idea of title sequence as a mini-movie. And for "Psycho" he was slicing up the type before Norman Bates even appeared onscreen.:eek:

Story and the movie clip here:
http://designdrivethru.typepad.com/d...auhaus_to.html

That's a nice story, thanks for sharing. The opening credits are overlooked far too often, they're like a first impression.