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HDC Debates #4: Will Godzilla be the 2nd horror summer blockbuster of all time?
The whole concept of summer blockbusters started some 39 years ago, when a film called Jaws made by Steven Spielberg made hay at the summer B.O. and made plenty of movie-goers "afraid to go into the water".
In fact, Jaws can be hailed as THE film which started the trend. Raking in over $470 million in gross terms, which is almost $1.9 billion in 2010's dollar terms, it firmly etched itself in the history of B.O. majors of all time. Major studios suddenly sat up and took notice of this, and started producing seminal films to cash in on the summer season - a concept which has been reaping rich B.O. rewards for them all through the 80s, 90s, and the 00s. Why haven't more horror films struck gold at the B.O. during the summer season then, you might wonder. Take a look at the genre releases following Jaws during summer: 1975: Jaws 1976: The Omen 1977: The Hills Have Eyes 1978: Piranha (Dawn of the Dead didn’t get a proper cinema release until 1980 and Halloween was released around the appropriate date) 1979: Dracula (directed by John Badham) 1980: Friday the 13th 1981: An American Werewolf in London 1982: The Thing, Poltergeist 1983: (None of note) 1984: The Company of Wolves 1985: Day of the Dead, Fright Night, The Return of the Living Dead 1986: The Hitcher 1987: Hellraiser, The Lost Boys 1988: Maniac Cop, The Blob 1989: Child’s Play (made in 1988, released in the UK June 1989) 1990: Buried Alive 1991: Misery, Silence of the Lambs 1992: Sleepwalkers 1993: (None of note) 1994: Wolf 1995: Species 1996: From Dusk Till Dawn 1997: Scream, Event Horizon 1998: (None of note) 1999: The Haunting 2000: Final Destination 2001: Session 9 2002: Dog Soldiers, Eight Legged Freaks 2003: Underworld, Wrong Turn 2004: Van Helsing 2005: The Descent, House of Wax 2006: Pulse, Snakes on a Plane 2007: Captivity, Dead Silence, Halloween 2008: The Mist, Eden Lake 2009: Drag Me To Hell 2010: A Nightmare on Elm Street 2011: Fright Night 2012: Dark Shadows 2013: World War Z (Some release dates are for US, some are for UK) Some of the above-listed films have been successes, but cannot be termed as true blockbusters who have scored really big at the B.O., like Spielberg's classic fish tale did in the mid-70s. Will 2014's Godzilla, which has opened really well and is garnering a lot of praise from critics and fans alike, join the ranks of Jaws and become only the 2nd film in horror movie history to be a bonafide summer blockbuster? For the record, Box Office Mojo reports that Godzilla has scored almost $38.5 million on Friday on it's opening night, which is the biggest opening day for any film in 2014 so far, much ahead of Captain America: The Winter Soldier & The Amazing Spider-Man 2. |
I don't really think it qualifies as a horror. Don't know what it got in America, but here it's a 12a Certificate, which means basically any age can go in but under 12s need an adult. It's a film based around spectacle and scary monsters, yes, but I'd say horror is more about primal, personal terror.
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I know others disagree, but I have always considered the monster movies like Godzilla horror movies. To me, the genre is more than just fear. As for the topic, I am hoping that it will be a huge summer blockbuster as I felt it was a solid version of Godzilla. It was weak on character development, but I don't think that has ever been the point of the Godzilla films. It will definitely be interesting to watch. I will add the note that I am one of the few that loved and still loves the 1998 version. I did not learn until recently, to my surprise, it was so hated.
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Yes I think this is the summer of Godzilla. It will not have some of the staying power as some of the films on V's list (Silence of the Lambs, Nightmare on Elm Street) but will usher in a new interest in horror creature features IMO.
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Yes, I think it will be the second bona fide horror blockbuster.
Interestingly, Jaws and Godzilla share many of the same characteristics... 1. An deep visceral immersion film 2. a big animal that can eat/kill you 3. resides in the deep ocean phathoms outside the reahlm of man |
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Its a giant monster movie. Of course its horror. Obviously it made a lot of money already and even though I think X Men will hurt it next week but it will definitely be a huge blockbuster which I'm very happy about. Gojira is my favorite movie and I love the franchise so seeing a new adaptation of it getting so much praise and attention is great.
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Sorry to be the cynic here, but c'mon people- GET REAL!
Jaws wasn't the tremendous blockbuster it was because of the amount of revenue it pulled in- plenty of films before its release and after have earned more- it was a landmark film for the effect it had on people. It crossed the genre audience and was seen by EVERYONE, and it had an effect on them. As V mentioned in his introduction, legions of people became afraid of the water. It sparked an obsession with sharks that lasts to this day. Hollywood changed its marketing style in an effort to recapture the phenomena to such a degree that every big budget film released in the summer is the next SUMMER BLOCKBUSTER, but they never recapture the effect Jaws had because, well, they're NOT JAWS. It wasn't the big budget that turned Jaws into an iconic film, it was the fact it tapped into a heretofore unrealized primal fear. The new Godzilla film? No matter how well it's done, it's still, forgive me, just another Godzilla movie. It's nothing new, nothing startling, nothing original, and will therefore have no lasting impact on society. Therefore, it will not be a "blockbuster" of the magnitude of Jaws. I'm sure the studio publicity machine will be trumpeting its gigantic box office and declaring it the new Jaws, but they lie. |
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Maybe i'm confused as to what this debate has been about but given how much money the movie has made, Hollywood of course is going to try and capitalize on that by making more sequels (already confirmed) and a bunch of other giant monster movie ripoffs. The same as when Paranormal Activity made a bunch of money and got popular and we got a bunch of found footage movies, as well as any horror trend that gets popular. But it's all money, that says nothing to how iconic the film is, it's effect on it's viewing audience or how it will be viewed in the future. It will not hold up as Jaws has done simply because its a remake/reboot. |
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On a lighter note: Jimmy Kimmel says,"Godzilla is real!" and people believe him! |
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http://en.wikipedia.org/wiki/Blockbu...tertainment%29 Quote:
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Same article mentions this as well:
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Also the original Godzilla is much more iconic and famous then any of the movies you mentioned. So to say that this new Godzilla may surpass the original, to me is hard to believe. |
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I've said it before, and I'll say it again now- A Godzilla film not made in Japan is an oxymoron.
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Blockbuster...
I grew up in the Jaws age, when 'blockbuster' was first used, and even then, it wasn't well defined in the general population. With Jaws, it carried the 'big hit' definition, which is 'everyone' saw and talked about it, became a cultural icon. Not unlike Psycho and it's shower scene, music and Norman Bates... everyone knew about it, and it became a cultural icon. When a large percent of the populace sees a film, that obviously coincides with large ticket sales. But as we're approaching some 40 years later, the term 'blockbuster', in popular culture, has come to mean some combo of high ticket sales and the film subject awash in the public media. The new Godzilla film already has high ticket sales and the topic is awash in public media. By general word usage, it's already a blockbuster. Remakes ever bigger than Original?... Of course they can, and have been. I was a horror/scifi fan before Snatchers 78, Thing82 and Fly86, and knew the level of weightiness each of those originals had in pop culture. Snatchers was pretty hefty, but Thing and Fly were relatively much smaller, I'd even call the Fly obscure to the general public. Thing82 and Fly86 received a lot more notice than the originals, but I don't think any of the three achieved blockbuster status (Snatchers 78 had most general public notice, the stars helped that). I agree with Mett that Thing82 and Fly86 were much better films than the originals, and two of the best horror films ever made. (Both Snatchers are good, but the 54 more notable.) Godzilla And Jaws... Godzilla2014 is nowhere as good as Jaws. And as Never said, there's nothing new or notable about Godzilla14. Godzilla is every bit a the cultural icon Jaws is, more so, but it's due to 20+ Godzilla films over 60 years, not Godzilla14, nor Gojira54, alone. |
Lets not forgot in all of this, that how good it does at the box office shouldn't be a reflection on how good the movie is.... Box office success is just a record of how many hapless souls turned up to watch it, not how good the movie is.
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Latest from the B.O.:
Godzilla's 4-Day Total: $100,860,422 (US Box Office) Overall figures:- Domestic: $100,860,422 + Foreign: $103,400,000 = Worldwide: $204,260,422 Monday figures:- $7,672,038 (from 3952 theaters) Still ahead of Amazing Spider-Man 2 ($5,168,281 from 4324 theaters) & Captain America 2 ($6,219,552 from 3938 theaters) in 4th day B.O. earnings. |
Totally agree with Neverending. Blockbusters are about more than just money - it's about the Cinematic Event. Whilst a lot of this comes down to marketing and was born in the age of the "high concept" film (and Godzilla has built the anticipation well), it also depends on the fallout - the cultural ripple. Godzilla, for all its money and spectacular glory, just won't have this impact. It may be remembered as a good movie, but it won't be remembered as an event; not in the same way as Jaws, Jurassic Park, E.T., Lord of the Rings etc.
That and I still maintain it's not a horror... |
The director, Gareth Edwards, has hit it big - he's now lined up to direct one of the Star Wars spinoff films.
http://www.hollywoodreporter.com/hea...odzilla-706636 As for Godzilla, collections have started to drop. Let's see if it can maintain some steadiness come this weekend, once X-Men hits the screens. Tuesday: $6,944,417 Wednesday: $4,962,197 Total: $112,767,036 |
Overall figures so far (until the 25th of May):-
Domestic: $148,773,000 + Foreign: $166,600,000 Worldwide: $315,373,000 This is against a production budget of $160 million, so Godzilla can be termed as a runaway superhit and a Box Office Blockbuster already. It is yet to open in several other countries (including it's "home" country, Japan), so it might be expected to cross $400 million in business overall. |
Godzilla only spent one week at No. 1 in U.S. box office. X-Men and Santa Barbara massacre may have dampened public's appetite for horror this week.
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Japan gives it's favorite monster-san (read "son") a big thumbs up!
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Domestic: $199,317,206 + Foreign: $292,000,000 = Worldwide: $491,317,206 |
After seeing it, I don't feel like it'll be remembered and cherished like Jaws. The only thing it had going for it was Godzilla but instead of creating a great new Godzilla film, they made a disaster film guest starring Godzilla. It was enjoyable but not iconic
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The biggest problem I had with the new Godzilla was the plot holes and unanswered questions. I thought it was entertaining, but it's not amazing.
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Looking back the 1998 US version was more fun. ::EEK!::.
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