knife_fight |
11-20-2004 12:35 PM |
Mainly what I was referring to was that the Exorcist's main thematic elements were not horror-related at all. What the viewer has in the possession of young Regan is a metaphor for the loss of relationship between mother and daughter. Mom is away a lot with the movies, little girl is left with a nanny all the time, Mom feels like she "just doesn't know her little girl anymore" and this feeling is personified in her daughter suddenly, quite literally, becoming a different person. The possession can also be viewed as a slightly fucked up metaphor for little Regan going through the metamorphosis of puberty. I won't even get into all the metaphors this possession represents for poor, doomed, Father Damian.
So, in my opinion, if you take the possession and horror elements out of the Exorcist, you are left with a drama about parent/child relationships and about how different people with different backgrounds deal with the question of faith. Father Damian's struggles with his faith, his subplot with his mother dying and his attempts to understand the "human condition" in relation to that faith, and the real life scariness of the breakdown of the nuclear family are enough to make an interesting enough movie on its own. But throw in a demon possession and the movie aggressively "ups the ante" for other movies to perform and to startle the audience into the realization of the complexities of everyday life.
While I agree, and have basically stated, that the Exorcist would not be near as compelling if you were to take out head spinning 13 year olds, crucifix masturbation, or subliminal frame shots of Glenn Danzig, I still believe that it would be able to hold water on its own without it.
|