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Ah, Juno. I watched The Descent again right after I saw it so I could just beat off to Juno whenever she was on screen.
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Exactly the same here. The Descent was not only fantastic, but a pleasant reminder of one of the greatest films ever, Carpenter's The Thing. |
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Unrelenting tone, from start to finish; sense of isolation and claustrophobia. Not to mention the musical score, which almost owes Ennio (edit: and Carpenter) a spot in the credits.
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As I said in one of the many other threads on this film, The Descent was the biggest disappointment since the monster in Jeepers Creepers was revealed. In both cases, an initially promising flick went downhill fast and never recovered. |
I thought the mosnter was pretty damn awesome...
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Am not really sure about the fuss over this movie. It's okay but nothing great. I dont know any people (in real life i.e. in England) that thought it was anything over 3/5. Everyone that seems to love it dont seem to be from England, which is weird because you'd think it would be the other way around.
I think I've said somewhere before that maybe thats why foreign countries enjoy it more, because its a bit more of a novelty I guess. 28 Days Later and Dog Soldiers to me were both just "okay" and once again people from US etc seem to think they are great. I guess its like how I love asian cinema even though I'm from England, its new and unique to what I'm used to and it could be the same for this for you guys. |
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