Light from the moon shines in the lone window located at the top of warehouse bordering the ceiling, it's no more than 6 inches long. The warehouse is basically empty, save a few crates set out next to each other and two men. The one with medium-length hair combed over and a button-up shirt with dress pants is TOBIAS MORGAN The other man has short hair and a mustache and a suit that all appear very similar to Vincent Price's popular look. He seems a bit nervous about the meeting, his name is JASON ROMERO.

TOBIAS
We've gotten what you've asked. Are you sure that's all you need to make this work?

JASON
No, sir. All the requirements are meant.

TOBIAS
We'll unlock the door once it's done.

JASON
Can you please tell me who this is meant to be used on?

TOBIAS
That isn't any business of yours. Your business is the assembly of our weapon. Nothing further.

Tobias starts for the door but then turns back to Jason.

TOBIAS
Oh, and we actually own this warehouse, it has several purposes other than this. If we find any evidence of you snooping around ANYWHERE but here we'll toss you on the pile.

JASON
Pile?

Tobias exits and slams the door behind him, Jason hears the sound of the door locking echoing through the warehouse.

DAYS LATER:

Jason has put together a shell to contain some type of chemical weapon, he mixes several chemicals together and puts them into a sealed-off tube. He picks up a pair of tongs when he is startled by a LOUD scream behind the metal door of a freezer Jason was too scared to venture into. He drops the canister onto the floor. The fumes rise up and dance into his nose, first making him lightheaded then rendering him unconscious, the freezer-person's screams echo.

MOMENTS LATER:

Jason arises, his eyes have turned yellow, his skin has begun to turn a brownish-green. He stands, holding a shard of the broken canister, with every movement his bones crack. He looks at his skin and screams out, his screams are met with the screams of the freezer-person. He inches toward the freezer and pulls the door open.

The freezer person is a man with a gunshot wound in his stomach. He doesn't look at Jason just keeps his toward the floor. He starts to crawl out.

FREEZER MAN
Please, please don't keep me here.

JASON
So... hungry.

FREEZER MAN
Please, let me go. I'm dying.

JASON
I'm-

Jason looks at his skin once again.

JASON (Cont'd.)
-Dead

The Freezer Man for the first time removes his hand from the gun wound, Jason's nostrils catch the scent, he quickly flips the freezer man and sits on his knees. Jason uses the canister to slice the bullet wound into a large piece of human fillet and he starts to chew on it. He looks behind him into the freezer and discovers the "pile" Tobias had referred to. A pile of bodies sits in the freezer. A wound has opened on Jason's cheek from his mouth's movement. He wipes it with his finger and stands, putting his hand on the Freezer Man when he stands. As he walks toward the pile licking his lips the Freezer Man stands behind him, a mindless zombie.

MOMENTS LATER:

Two grunt men arrive to check up on Jason, they move toward the door when they are swarmed by cops and cuffed. One of the cops checks the van.

OFFICER
Morgan isn't here. Repeat, Morgan isn't here.

The police kick in the door to the warehouse only to find a seven-strong group of mindless zombies under Jason's control. They rush out and the cops shoot at them. Jason emerges, after several cops are killed by the other zombies one manages to shoot Jason's jaw off. He drops to the ground and all of the other zombies follow his lead. His power over the zombies have been lost and they return to their corpse-state.

An extremely attractive blond woman in a brown tweed suit, Una Night, makes her way through the aisles of first of three floors in the library. She thumbs through a few books and pulls out a book on gem stones, she puts that on top of a book about mummification already in her hand. She smiles, satisfied with her find. She takes it to a table and sits down and quickly opens it. A familiar face, Moira's, stands next to her.

MOIRA
May I ask why you haven't put the returns back?

UNA
Because it's your turn.

MOIRA
It's not even my job, it's yours.

UNA
I'll get them next time. I'm busy now.

MOIRA
No, you'll do it now. I have the power to fire you and I will if I feel it necessary.

Moira snatches up the books and closes them when Wayne jogs in, slow for him.

WAYNE
Moira, i need to talk to you.

MOIRA
Alright, just let me put these back.

Moira glares at Una and the two walk back toward the bookshelves, Una runs her hand along Wayne's leg as he passes in order to spite Moira. Wayne and Moira walk into the aisle from which Una got the gem book.

MOIRA
What is it Wayne?

WAYNE
Can we go somewhere that doesn't have people in it?

MOIRA
Yeah, sure.

The room where all of the books not on display are stored. Extra copies of books and old obscure titles that carried no interest. Moira and Wayne walk inside.

MOIRA
Alright, what is it?

WAYNE
I was with Eric today-

MOIRA
How is Eric?

WAYNE
He's fine, just listen. The psycho we caught last night, he escaped.

MOIRA
Oh, God...

WAYNE
Not the worst of it.

MOIRA
What's the worst of it?

WAYNE
Well, Red Dynamo, Baren, and Zombie Man are all missing from the asylum.

Moira is speechless.

WAYNE
Exactly, I'm going to be searching all day, once you get off I'm gonna have to ask you to suit up too.

MOIRA
Yeah, sure. Whatever you need.

WAYNE
Great, thanks. I'm going to get back to it.

MOIRA
Wait, wait right here.

WAYNE
Why?

MOIRA
I'm going to take off now.

Moira walks out and Wayne waits for her, he picks up a book and starts to read it, the door opens.

UNA
Hey.

WAYNE
Hi. You aren't supposed to be back here.

UNA
It's OK, I work here.

WAYNE
I don't, so I'll show myself the ex-

Una stands in front of Wayne.

UNA
So, how do you know the leprechaun?

WAYNE
Don't talk about Moira like that.

UNA
Well, how do you know Moira?

WAYNE
We've known each other forever.

UNA
How long is forever?

WAYNE
Since middle school.

UNA
Have you two ever?

WAYNE
That isn't your busness.

UNA
That's a no. How do you put up with that? Her dragging you along all that time.

WAYNE
It isn't that way at all. We're friends.

UNA
Yeah, tell yourself that. But a better soultion would be to get back at her. Don't you think?

Wayne smiles.

WAYNE
Yeah, get back at her? How do you suggest we do that?

UNA
You know.

WAYNE
Alright, close your eyes and pucker up.

Una closes her eyes and puckers up. The door opens behind her she looks back to see Moira standing at the door, when she looks back to her front Wayne is long gone.