Abishai100
12-23-2015, 05:28 AM
Henry David Thoreau's naturalism-experimentation book, "Walden" [1854] is a representation of the literary movement known as the American Romantic period.
In this book, Thoreau describes the simple pleasures of living close to nature (earth, trees, grass, Animalia, etc.) and the dignity wrought from self-reliance while actually living in the woods in a small cabin at the edge of town near his family home.
Walden is an exposition in naturalism mysticism and rugged transcendentalism. It suggests that daydreams are related to an image of man's connection to meditation.
There are many qualities that make America unique: jazz, multi-culturalism, environmental diversity (i.e., mountains, prairies, beaches, etc.), populism fervor, capitalism spirit, vaudeville (i.e., Hollywood), etc.
However, two qualities that stand out as part of the 'American experience' are comic book enthusiasm and horror film enthusiasm.
American comic book superheroes such as Daredevil (Marvel Comics) capture a social fascination with derring-do and populism energy and reveal a curiosity about risk and adventure. Likewise, American horror films such as "Halloween" [1978] and "A Nightmare on Elm Street [1984] reveal a social curiosity about experience entropy.
Comic books and horror films expound on an American interest in anarchy meditation (i.e., vigilantism, paranoia, etc.).
Mysticism-paranoia comic book super-villains such as Doctor Doom (Marvel Comics) are not unlike mysticism-paranoia American horror film characters such as Pinhead (Clive Barker).
To appreciate the symbolic value of comic books and horror films, we could assess the connections between nature-culture (i.e., Walden) and adventure-deification (i.e., Halloween).
Werewolves, for example, comprise important folkloric dominions in pulp fiction and mysticism in both naturalism and horror-adventure in American art, and sanity-entropy Hollywood (USA) films such as "Wolf" [1994] reflect this.
A werewolf is a half-man, half-wolf creature who signifies a daring connection with nature that borders on incredible transformation and horror.
What would Thoreau have said about relevant horror-themed American comic book super-villains such as Sabretooth (Marvel Comics), a vicious man-beast with a taste for mayhem?
::cool::
Walden (https://en.wikipedia.org/wiki/Walden)
Werewolf (https://en.wikipedia.org/wiki/Werewolf)
Sabretooth (https://en.wikipedia.org/wiki/Sabretooth_(comics))
https://upload.wikimedia.org/wikipedia/en/a/a0/Wolfen_1981.jpg
In this book, Thoreau describes the simple pleasures of living close to nature (earth, trees, grass, Animalia, etc.) and the dignity wrought from self-reliance while actually living in the woods in a small cabin at the edge of town near his family home.
Walden is an exposition in naturalism mysticism and rugged transcendentalism. It suggests that daydreams are related to an image of man's connection to meditation.
There are many qualities that make America unique: jazz, multi-culturalism, environmental diversity (i.e., mountains, prairies, beaches, etc.), populism fervor, capitalism spirit, vaudeville (i.e., Hollywood), etc.
However, two qualities that stand out as part of the 'American experience' are comic book enthusiasm and horror film enthusiasm.
American comic book superheroes such as Daredevil (Marvel Comics) capture a social fascination with derring-do and populism energy and reveal a curiosity about risk and adventure. Likewise, American horror films such as "Halloween" [1978] and "A Nightmare on Elm Street [1984] reveal a social curiosity about experience entropy.
Comic books and horror films expound on an American interest in anarchy meditation (i.e., vigilantism, paranoia, etc.).
Mysticism-paranoia comic book super-villains such as Doctor Doom (Marvel Comics) are not unlike mysticism-paranoia American horror film characters such as Pinhead (Clive Barker).
To appreciate the symbolic value of comic books and horror films, we could assess the connections between nature-culture (i.e., Walden) and adventure-deification (i.e., Halloween).
Werewolves, for example, comprise important folkloric dominions in pulp fiction and mysticism in both naturalism and horror-adventure in American art, and sanity-entropy Hollywood (USA) films such as "Wolf" [1994] reflect this.
A werewolf is a half-man, half-wolf creature who signifies a daring connection with nature that borders on incredible transformation and horror.
What would Thoreau have said about relevant horror-themed American comic book super-villains such as Sabretooth (Marvel Comics), a vicious man-beast with a taste for mayhem?
::cool::
Walden (https://en.wikipedia.org/wiki/Walden)
Werewolf (https://en.wikipedia.org/wiki/Werewolf)
Sabretooth (https://en.wikipedia.org/wiki/Sabretooth_(comics))
https://upload.wikimedia.org/wikipedia/en/a/a0/Wolfen_1981.jpg