H3D Script SAMPLE, dialogue needs help i believe, but over all story in the end,ROCKS

[H3orH3D_Script4U]

The PALE HORSE QUOTE i believe is from me. It fits with my story and is resolved in the end, should I PUT, WE ARE ALMOST HOME or YOU ARE ALMOST HOME, for the last line of it? I had YOU at first, but changed it. BECKY don't last long sorry for the spoiler. But I believe I gave enough for the audience to care a little when she dies. No one can take DOWN MICHAEL. ;) LAURIE, SHERRIFF BRACKETT and a new character JAKE MYERS LOGAN are my main focus in this story and a CONFLICT BETWEEN ALL OF THEM, and in the end don't worry about you questioning or hating the new charachter or it making since to HALLOWEEN 4 or after, the end resolves that and will still get it back on track 4 all those still to work, and the flashbacks at the beginning will have meaning and revelance to this story and ending, and it may also help out the audience and possibly even make them want to watch H2, or maybe even make them like H2 more by the end of this one. :cool: THANKS FOR THE FEEDBACK, definetely want more I might post a little more. I know more then likely it probably won't go anywhere, but definetely interesting, the damn thing just kept popping in my head and I visually/literally seen it like a movie, kind of scary didn't put the pin down.

[H3orH3D_Script4U]

also a line there from MICHELLE, should make you like, what the hell THEY'RE BROTHERS? What was that all about?

[MichaelMyers]

Looking forward to Becky's demise and a few EMT's too.

[H3orH3D_Script4U]

You think JAKE could take down MICHAEL? Or I guess I should ask. Are you scared MICHAEL?

[H3orH3D_Script4U]

FADE IN:

SCENE #6 A SHOCKING REVELATION:

(INT.) HADDONFIELD - HOSPITAL ROOM - NIGHT -
THUNDERSTORM - PATIENT MICHELLE:

P.O.V. of MICHELLE OPENING her EYES as if waking from a
nap, SHOWING an OUT OF FOCUS person leaning over her.

CLOSE UP SHOT of a NAME TAG on a WHITE SHIRT, with the
name BRACKETT engraved on it. It then reveals a clear
VIEW of the FIGURE and MICHELLE lying in the HOSPITAL
BED, It's a female NURSE named CHELSEY.

MICHELLE
What's your name?

CHELSEY
It's CHELSEY ma'am. You had yourself
a close call there tonight. Didn’t
you?

MICHELLE
So! You're related to the Sherriff?

CHELSEY
Seen the name tag. Did you? Yeah!
He's a local celebrity. Don't
worry though, I'm not as strict.

MICHELLE
No it's not that, I need to talk
to him. I have something important he
needs to know. Others might be in danger.

CHELSEY
Why would you say that? Ma'am!

MICHELLE
Well, I guess I can tell you, and
you can get a hold him. Right?

CHELSEY
Sure can!

MICHELLE
I have a confession to make. You
know Michael Myers?

CHELSEY
Who doesn’t!

MICHELLE
Well my son Jacob!.... He is, Michael’s
brother!

CHELSEY
That's not possible! Ma'am! Michael
only had a sister, and his Mother
and Father died a long time ago.

MICHELLE
Yes it is! Before Michael's father
died, we had an affair, and I had
JAKE soon after..... I only hid it,
because I was worried for JAKE. I
didn’t want the attention or JAKE to
get ridiculed.... or worse, so I kept it
secret. JAKE always new, though.... It
always affected him!... Now I'm worried,
he's went off the deep end, with the
news of Michael's death.

CHELSEY
Oh my GOD!

MICHELLE
He's the one that poisoned me, and
I'm worried; he's not going to stop
with me! He left me to die, dressed
up like Michael. You need to stop him,
PLEASE!

CHELSEY begins seeing that MICHELLE is serious and
stands from her seated position, next to MICHELLE on
the HOSPITAL BED.

CHELSEY
Don't you worry! I'll take care of
it. You just rest!

As CHELSEY is now exiting the room just before the
door, MICHELLE stops her.

MICHELLE
If you see my son...... RUN!

CHELSEY exits the room looking worried.

CUT TO:

(EXT.) HADDONFIELD - HOSPITAL - FRONT ENTRANCE - NIGHT -
THUNDERSTORM:

P.O.V. through a MASK of the front of the HOSPITAL again
hearing the breathing, with the rain pouring down, with
lightning and thunder. Then with a bright flash of
lightning, blinding the audience and a loud crackle of
THUNDER almost at the exact same time. The screen QUICKLY
FADES to BLACK out of the bright flash.

FADE OUT:

SCENE #7: MOTHER'S KEEPER

FADE IN:

(EXT) HADDONFIELD - HOSPITAL - FRONT ENTRANCE - NIGHT -
THUNDERSTORM:

It starts from the exact ANGLE and spot of the P.O.V.
from the previous scene. As if some time has passed,
with a V.O. playing from CHELSEY, as if she is leaving
a message for SHERRIFF BRACKETT on his phone. While
SHERRIFF BRACKETT on duty is pulling up in front of the
hospital. *BEEP*

CHELSEY (V.O)
(urgent)
Uncle! It's Chelsey. I have a
situation at the hospital, When
you get this, I need you to get
here as soon as possible.
Hurry, Please!

Right as SHERRIFF BRACKETT reaches the hospital
entrance the scene ends like the previous scene did,
with the bright blinding flash, and loud thunder
immediately following it at the same time.

CUT TO:

(INT.) HADDONFIELD - HOSPITAL - HALLWAY -NIGHT -
THUNDERSTORM:

Coming out of the BRIGHT FLASH of the previous scene, It
turns into a light, on the ceiling of the hallway in the
hospital. As the CAMERA is pointing UP right at it, and
without moving the CAMERA's POSITION it ROLLS as if on
a pivot slowly, towards some DOUBLE DOORS and stops
PARALLEL.

Right as the CAMERA STOPS the DOUBLE DOORS burst open.

With SHERRIFF BRACKETT and CHELSEY walking and talking,
with a since of urgency in SHERRIFF BRACKETT, but also
unbelieving.

This is caught by a KNEE HIGH ANGLE IN-BETWEEN the two,
that's pointed slightly up and TRACKING BACKWARDS WITH
THEIR URGENT PACE. (about ten steps of dialogue, maybe
one line each, they then stop and finish scene abruptly.)

SHERRIFF BRACKETT
So, you're telling me that son of
bitch, has a brother? Is that what
you are trying to tell me?

CHELSEY
That's what she said. She was
serious about it!

SHERRIFF BRACKETT
How do you know that old bag, isn’t
making shit up, and just wanting
attention? With all the bullshit
that has happened, in the past few
days.

CHELSEY
I don't! But wouldn’t you like to
find out? Just to make sure. Incase
the chance, she is telling the
truth.

SHERRIFF BRACKETT
That's just what this town needs!
What room is she in?

CHELSEY
This way!

They walk past that CAMERA VIEW ABOVE and out of scene
towards MICHELLE's room.

CUT TO: :confused:

[H3orH3D_Script4U]

(INT.) (X) HADDONFIELD - HOSPITAL ROOM - NIGHT -
THUNDERSTORM - PATIENT MICHELLE:

SHERRIFF BRACKETT and CHELSEY are talking, (improvising)
focused on each other and not where they are going as
they enter MICHELLE's room.

They both look up, and are frozen in horror, as they see
MICHELLE has been BRUTALLY STABBED to death. CHELSEY
SCREAMS, covers her mouth with her hand, traumatized!

CHELSEY
Oh my GOD! NO! NO! NO!

CHELSEY (cont'd)
You still think that she is
making it up, for attention?

SHERRIFF BRACKETT
How long, has she been unattended?

CHELSEY
Probably 30 minutes or so. Just
long enough for me to call you,
and help out a few other patients

Two other DOCTORS come running over to the scene. With
SHERRIFF BRACKETT then handing CHELSEY over to them.

SHERRIFF BRACKETT
Get her out of here. I'll take
care of this. You guys just get
back to work. GOD damn it!
Here we go again!

As SHERRIFF BRACKETT says his last line frustrated and
looking at MICHELLE's bloody body. He then grabs his
RADIO to report the situation, he glances up at a
security camera in the corner of the hallway pointed at
MICHELLE's room. (show camera after he looks up)

SHERRIFF BRACKETT
(radio)
I need everybody available to
respond to the hospital, immediately!
We have another homicide, that
appears to be imitating Michael
Myers. The suspect is believed to
be the victim’s son. His name is
Jacob Logan, It's happened within
the last 30 minutes. So the suspect
couldn’t have gotten far. I have
been informed the suspect is reported
to be Michael Myers brother, so he
is considered extremely dangerous.
I'm going to review the security feed,
and will be able to give you a better
description, when you arrive. I need
you guys here. NOW!

DEPUTY BOWERS (V.0)
Roger That!

As SHERRIFF BRACKETT receives the response the screen
FADES to black.

FADE OUT:

SCENE #8: FAMILIAR FACE

FADE IN:

(INT.) HADDONFIELD - HOSPITAL - SURVIELLENCE ROOM -
GREEN/GRAY DULL LIT:

Begins with SHERRIFF BRACKETT, leaning with both hands
on a desk loaded with monitors, standing to the immediate
LEFT of a hospital SECURITY GAURD that's in control of the
monitors, with 4 DEPUTIES standing behind them, also
looking on.

SHERRIFF BRACKETT
Can you rewind that? until we, see
the suspect. Please!

SECURITY GAURD
Yes sir! Not a problem.

Dialogue then stops and the CAMERA then begins to PAN
from LEFT to RIGHT showing the DEPUTY's faces behind
the two, as they are all looking on, as the SECURITY
GAURD is rewinding the video. Upon reaching DEPUTY4
the last one on the right, who is rubbing his chin,
while looking on. He suddenly drops his hand and turns
his back as if he saw something shocking.

DEPUTY4
Jesus Christ!

SHERRIFF BRACKETT points at the monitor.

SHERRIFF BRACKETT
Whoa! Whoa! Whoa! Right There,
Right There! Stop!

P.O.V set on the TV/SECURITY MONITOR as the screen begins
to play. It shows the figure of what appears to be
Michael Myers, slowly coming from a stairwell underneath
the CAMERA and entering the first room.

DEPUTY BOWERS (O.S.)
I thought that bastard was dead!

SHERRIFF BRACKETT (O.S.)
You idiot! That's not Michael.
It's his god damn Brother! The son
of a bitch, is a COPYCAT!

The video continues showing JACOB exiting the room, with
his knife now covered with blood, as he slowly walks
back the way he came and exits the screen.

After the video concludes, SHERRIFF BRACKETT, begins
shouting orders to the DEPUTY’S. First SHERRIFF BRACKETT
points at DEPUTY SCHLAGEL and DEPUTY ANDREWS.

SHERRIFF BRACKETT
Now we know what we are dealing
with. I want Schlagle and Andrew,
to head out and patrol all the back
roads and alleys around the hospital.
If you see him, shoot the piece of shit!

DEPUTY SCHLAGEL
Sounds good Sherriff! You got it.

DEPUTY SCHLAGEL and DEPUTY ANDREWS exit the room.

SHERRIFF BRACKETT directs his attention to DEPUTY BOWERS

SHERRIFF BRACKETT
And Bowers! I need you to call the
morgue, and if you can't reach
anyone. I want you to go ahead, and
get over there. To clarify that
Michael's body is still there, and
that the son of a bitch is DEAD! I
don't want people spreading stories.

DEPUTY BOWERS
I'm on it!

DEPUTY BOWERS turns and also exits the room.

SHERRIFF BRACKETT then puts his attention towards the
last two, DEPUTY4 and GUARD.

SHERRIFF BRACKETT
Me and you! We're going to head to
JAKE's house, to see if that
bastard, is dumb enough to come
home. Now can you two give me a
minute? I need a moment. PLEASE!

As the last two then exit the room. SHERRIFF BRACKETT
leans back on the desk and looks at the monitor. Which
shows, a frozen image of JAKE, facing the screen. He
rubs his forehead and slams his fist on the table in
frustration.

SHERRIFF BRACKETT
Damn it!

The scene FADES to BLACK as the SHERRIFF turns to exit.

FADE OUT: :confused:

[H3orH3D_Script4U]

SCENE #9: WAKING THE DEAD

FADE IN:

(INT.) HADDONFIELD - MORGUE/AUTOPSY ROOM - DIMLY LIT -
NIGHT:

Begins showing BECKY jamming and slightly dancing with
her EARBUDS in, with a quite muffled SOUND of the music
playing.

The phone begins to ring, but she doesn’t hear it,
because of the music, as she just continues on dancing.

CUT TO:

(EXT.) HADDONFIELD - DEPUTY BOWERS VEHICLE - NIGHT -
RAINING:

P.O.V. from passenger seat as DEPUTY BOWERS is sitting
with his car turned off, as he hangs up his phone in
frustration.

DEPUTY BOWERS
Damn it! BECKY! Pick up the phone!

DEPUTY BOWERS tosses the phone in the passenger seat. He
starts the vehicle and pulls away.

CUT TO:

(INT.) HADDONFIELD - MORGUE/AUTOPSY ROOM - DIMLY LIT -
NIGHT:

Back at the morgue BECKY finally pushes MICHAEL's body
under the examining light, still inside the BODY BAG,
she pulls out her EARBUDS and drapes them over her
shoulder and around her neck, with the muffled music
getting louder.

BECKY
You're up, big guy!

BECKY then begins unzipping the body bag slowly, and it
gets stuck under his chin once again. As she then begins
struggling with the zipper.

BECKY
Cheap ass city! When are they
going to get some new bags?

The zipper then releases, as she then opens the bag and
spreads it all around MICHAEL's body on the GURNEY, as
she then hesitates, but removes the KNIFE from his leg.
She discards the KNIFE and picks up some SHEARS and
snips them together a few times, with the SOUND of them
grinding together, she sarcastically says in a sexual
manner.

BECKY
Now! Let's get you out of them
clothes, big boy!

BECKY places the SHEARS in the bottom of MICHAEL's right
pant leg and snips them once slowly, while glancing up
at him.

CLOSE UP of MICHAEL's torso, as you HEAR one more slow
snip, You then see MICHAEL take an ominous deep breath.

BECKY extremely startled jumps up, throwing the SHEARS
down. Frightened, she runs over to the PHONE on the wall.

BECKY
(terrified)
Oh my GOD! Oh my GOD! Oh my GOD!

BECKY reaches the PHONE and begins dialing 911
frantically with her back turned to MICHAEL.

CLOSE UP of MICHAEL's MASK, suddenly his EYES OPEN.

Back to BECKY on the phone. In the background behind her,
MICHAEL slowly sits up on the GURNEY and begins
approaching BECKY.

BECKY (cont'd)
(impatient)
Come on! Come on! Come on!

Right as the DISPATCHER picks up the call, Michael grabs
BECKY by her EARBUDS that were placed over her shoulder,
around her neck, dangling down her back.

He begins strangling her. Which rips her away from the
PHONE yanking the CORD out with her, as she screams the
call is dropped.

CUT TO:

(INT.) HADDONFIELD - 911 DISPATCH OFFICES:

It then shows a quick shot of a FEMALE DISPATCHER
hearing BECKY SCREAM (O.S.), and then losing the call.

FEMALE DISPATCHER
Hello! Ma'am! Ma'am!

CUT TO:

(INT.) (X) HADDONFIELD - MORGUE/AUTOPSY ROOM - DIMLY LIT - NIGHT:

Back to the struggle between the two, as BECKY is being
strangled, and man handled.

CLOSE UP SHOT of the tension in MICHAEL's hands and then
the CORD cutting into BECKY's NECK.

With BECKY now being lifted off the ground, her legs
begin to slow, from all the kicking and flailing she
was doing. Showing that she is beginning to fade. Right
when her legs stop kicking, MICHAEL slams her head down
extremely hard onto a bone saw, that sticks into her
head, he then tosses her aside, like nothing.

CUT TO:

(INT.) HADDONFIELD - 911 DISPATCH OFFICES:

The FEMALE DISPATCHER grabs the police RADIO and reports
the call.

FEMALE DISPATCHER
I just received a call, I traced to
BECKY down at the morgue. It didn’t
sound good! I need somebody to go
check it out. PLEASE!

CUT TO:

(INT.) HADDONFIELD - DEPUTY BOWERS VEHICLE - DRIVING -
NIGHT - RAINING:

P.O.V. from the passenger seat

DEPUTY BOWERS driving responds to the call.

DEPUTY BOWERS
(radio)
I'm already on my way. I got it!

FEMALE DISPATCHER (V.O.)
Copy That!

DEPUTY BOWERS
Shit!

DEPUTY BOWERS slaps the wheel and puts his RADIO back.
He flips on the SIRENS, hits the gas and speeds off.

CUT TO:

SCENE #10: NO ONE'S HOME

(EXT.) HADDONFIELD - LOGAN RESIDENCE - FRONT -
NIGHT - THUNDERSTORM:

SHERRIFF BRACKETT and DEPUTY4 pull up in front of JAKE'S
house, as the TEENAGE GIRL is sitting on the neighboring
porch.

SHERRIFF BRACKETT and DEPUTY4 enter the front gate.

TEENAGE GIRL
How is Miss Logan doing? Sherriff!

SHERRIFF begins walking through the yard approaching the
house.

SHERRIFF BRACKETT
She died! I'm sorry! But right now!
I need you to go inside and lock
your doors. PLEASE!

The TEENAGE GIRL who was twiddling with her phone
complies, looking a little startled she heads inside.

SHERRIFF BRACKETT begins knocking on the door, with
DEPUTY4 by his side and begins shouting demands.

SHERRIFF BRACKETT
It's the police! Open up Jake! We
need to put a stop to this, right
now! Before anyone else gets hurt.

SHERRIFF BRACKETT and DEPUTY4 draw their WEAPONS, as
the TEENAGE GIRL is watching out a window. They knock one
more time, with no answer they decide to head in.

SHERRIFF BRACKETT
All right Jake! We gave you a shot,
we are coming in.

SHERRIFF BRACKETT kicks in the door and scans the room.

SHERRIFF BRACKETT
I want you to check the upstairs.
I got it down here.

SHERRIFF BRACKETT searches with no luck. He comes across
a locked basement door, and violently kicks it in.

CUT TO: :confused:

[H3orH3D_Script4U]

(INT.) HADDONFIELD - LOGAN RESIDENCE - BASEMENT -
NIGHT - THUNDERSTORM - VERY DARK:

With SHERRIFF BRACKETT standing at the top of the stairs
looking down, he then slowly starts his descent, as some
lightning flashes out the small window, adding more light.
He flips a light switch and the light briefly comes on
and then goes out, with a loud pop as if the bulb busted.
He then reaches the bottom of the stairs, as the
lightning, lights the room again.

SHERRIFF BRACKETT
Oh my GOD!

CLOSE UP of the HEADLESS RAT on the floor lit by a flash
of lightning, as it then goes back to black with the
darkness of the room.

CLOSE UP of LAURIE's clipping that's circled in blood,
also lit up by the lightning, followed by a loud clap of
thunder.

SHERRIFF BRACKETT removes the clipping from the wall, as
it FADES to BLACK as the lightning fades.

FADE OUT:

SCENE #11: BACK TO THE MORGUE

FADE IN:

(INT.) HADDONFIELD - MORGUE - HALLWAY - DARK -
FALL NIGHT - THUNDERSTORM:

DEPUTY BOWERS enters the MORGUES main entrance, in the
very dark hallway. He begins very slowly and hesitant,
making his way, as he shouts.

DEPUTY BOWERS
BECKY! BECKY! Are you alive?

DEPUTY BOWERS takes a few more steps as he is becoming
worried with no response. He draws out his WEAPON, as
he heads down the dark hall doing a poor job of scanning.

CLOSE UP of a supply closet, that has its door cracked,
showing the large figure of MICHAEL standing inside, as
DEPUTY BOWERS passes right by, unaware of the danger.
He reaches the autopsy room doors and heads in.

CUT TO:

(INT.) HADDONFIELD - MORGUE/AUTOPSY ROOM - DIMLY LIT -
NIGHT:

DEPUTY BOWERS enters the room and immediately sees
BECKY's lifeless body with the BONE SAW stuck in her
head, as he realizes MICHAEL's body is also missing.
In a panic, he grabs his RADIO and begins reporting to
SHERRIFF BRACKETT. Standing just inside the autopsy room
doors, so the reply will surely echo down the hall.

DEPUTY BOWERS
(radio)
Sherriff! It's DEPUTY BOWERS! I'm
at the morgue and I got some bad
news. BECKY's dead Sherriff! I
don't see Michael's body anywhere.
The son of a bitch is alive,
Sherriff!

CUT TO:

(INT.) (X) HADDONFIELD - MORGUE - HALLWAY - DARK -
FALL NIGHT - THUNDERSTORM:

P.O.V. facing the DOUBLE DOORS entering the autopsy room
with a small light shining from within the room, through
the cracks of the doors.

SHERRIFF BRACKETT replies, as it echoes down the hall,
loud enough for Michael to hear in the supply closet.

SHERRIFF BRACKETT (V.O.)
(radio, response)
Now don't be crazy! That's exactly,
what Jake wants us to think! He
probably stole the damn body. Not
a bad way to cover up your mothers
murder, if you ask me. Make it look
like Michael did it.

CLOSE UP of MICHAEL, as he turns his head towards the
sound, curiously. Still standing in the closet.

DEPUTY BOWERS (V.O.)
You're probably right, Sherriff.
There is no way Michael could have
survived what he went through. Jake
got BECKY pretty bad though,
Sherriff!

SHERRIFF BRACKETT (V.O.)
Yeah that's terrible. I'm standing
in the psychos basement, as we
speak. I want you to get out of
there. I'll send someone else to take
care of the scene over there later. I
think he might be going to go after
Laurie. I want you to go ahead and
go to the Psychiatric Hospital and
keep an eye out there, in case he
shows up.

With the revelation to the whereabouts of Laurie, It
shows Michael ominously just waiting in the closet.
Then back to the previous shot in the hall.

DEPUTY BOWERS (V.O)
Roger That! Sherriff!

After DEPUTY BOWERS reply, he exits through the doors
into the hallway. As he casually begins his way down the
dark hall approaching the cracked supply closet that
contained MICHAEL.

Suddenly a mop handle falls from within the closet and
onto the hallway floor clanking loudly. Frightening
DEPUTY BOWERS, he jumps and grabs his gun, and then
cautiously approaches, unable to see inside. Once
reaching the door he quickly flings it open, seeing
nothing but an empty closet, as he takes a quick breath.

MICHAEL violently grabs DEPUTY BOWERS by his throat,
lifts him off the ground, and slams him to his back with
his head just inside the closet door, he looks up.

MICHAEL begins slamming the door into his head, until he
ceases to move, except the twitching of his nerves, and
with the last violent slam of the door, the scene CUTS.

CUT TO: :confused:

[H3orH3D_Script4U]

(INT.) HADDONFIELD - LOGAN RESIDENCE - BASEMENT -
FALL NIGHT - THUNDERSTORM - VERY DARK:

SHERRIFF BRACKETT standing in the dark basement, as he
holds the clipping of Laurie in his hand, with the light
shining from upstairs.

DEPUTY4 begins his way down the stairs, where he stops
halfway, shocked at the sight of the room.

DEPUTY4
I checked everywhere upstairs and
there is no one, here. Wow! What
a freak show. I think we found our
guy sheriff!

SHERRIFF BRACKETT
Tell me about it! He's definitely
our man. Let me make a radio call
and we're getting out of this hell
hole, there is nothing else here.

SHERRIFF BRACKETT grabs his RADIO.

SHERRIFF BRACKETT
(radio)
Deputy Andrews! Deputy Andrews!
You there?

DEPUTY ANDREWS (V.O.)
Yes, Sherriff?

SHERRIFF BRACKETT
(radio)
Are you and Schlagel still
patrolling, near the hospital?

DEPUTY ANDREWS (V.O.)
That's affirmative, No sign of
him. Sir!

SHERRIFF BRACKETT
Well I'm going to need you and
Schlagel, to head to the psychiatric
hospital, and get some extra bodies
up there, to keep an eye on Laurie.
I have reason to believe, that's
where he's heading.

DEPUTY ANDREWS (V.O)
Alright Sherriff! We're on our way!

SHERRIFF BRACKETT clips his radio back to its holster
and tosses the clipping with LAURIE to the floor and
heads up the stairs.

The CAMERA follows the clipping of LAURIE to the floor.

CUT TO:

SCENE #12: GET YOUR FILL

(EXT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

CLOSE UP of a California license plate, as it pulls up to
the gas station pump, and begins to ZOOM OUT as two people
exit a HUMMER showing that they are the only customers.

A YOUNG MAN exits the driver side and a HOT BLONDE exits
the passenger side. The YOUNG MAN approaches the pump and
hands the HOT BLOND his WALLET.

YOUNG MAN
Here! Hurry up, we need to get
back on the road, and get out of
this GOD forsaken town.

HOT BLONDE
I just have to use the restroom!

The HOT BLONDE begins slapping the WALLET against her
left palm and walking towards the building. She stops
outside the door and asks.

HOT BLONDE
You hungry? You want some hot dogs,
or something?

YOUNG MAN
Yeah! Just grab me a bag of chips,
that will hold me over.

HOT BLONDE
What number is the pump?

YOUNG MAN
The only one being used!

The HOT BLONDE gives the YOUNG MAN a dirty look,
sticking out her tongue, and then enters the building.

CUT TO:

(INT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

The HOT BLONDE enters the gas station, with the WALLET
in hand and the YOUNG MAN outside at the pump. She looks
around the store for a restroom inside, but it's nowhere
to be found. She then approaches the CLERK who is a
rather skinny teenager, who definitely appreciates her
beauty.

HOT BLONDE
Where's your guys restroom located?

The CLERK then pulls up a rest room key, jingling it.

CLERK
It's outside.

The HOT BLONDE grabs the keys, and heads for the exit.

HOT BLONDE
(snooty)
You guys definitely need to do
some updating!

CUT TO:

(EXT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

The HOT BLONDE exits the gas station heading toward the
side of the building. As she shakes the keys catching
the YOUNG MAN's attention at the pump, she yells.

HOT BLONDE
If this restroom is a dump, I'm
kicking your ASS!

The YOUNG MAN pumping the gas glances up snickering.

CUT TO:

(EXT.) HADDONFIELD - GAS STATION - RESTROOM - NIGHT -
THUNDERSTORM:

With the rain pouring down the HOT BLONDE comes running
into the scene, on the side of the building just
outside the restroom, but she sees the door is already
opened. Hesitating, she stops!

HOT BLONDE
So much for the keys!

CUT TO:

(INT.) (X) HADDONFIELD - GAS STATION - RESTROOM -
NIGHT - THUNDERSTORM:

The HOT BLONDE bravely enters anyway, and flips the
light switch, but there is no lights.

HOT BLONDE
OK, I'm kicking his ASS!

The HOT BLONDE leaves the door cracked lighting only
the first stall, in a two stall restroom.

The HOT BLONDE then enters the stall that’s lit up from
the cracked door. The HOT BLONDE then wipes the seat and
SHIVERS making a sound as if she is grossed out. She
then takes a seat and you begin HEARING her use it, she
wraps the toilet paper, so she can wipe. Then suddenly
you HEAR the TOILET in the darkened stall flush. You
see the HOT BLONDE is startled.

HOT BLONDE
I'm sorry! I didn’t know somebody
was in here.

The HOT BLONDE begins reaching for her pants still
seated, she pauses as there is no response. She sees and
hears heavy footstep come out of the stall next to her,
casting shadows and they stop in front of her stall. :confused:

[H3orH3D_Script4U]

That's enough I guess, so much more though!!!

Input please, awful YES or NO or AVERAGE, for a first attmept at anything like this. :p

That's exactly the half way point. I made it long so things could be taken out if needed, instead of needing to be added. 10 deaths after this point, and most of the action comes after this. THE BLONDE don't make it !! SORRY if you liked her. I didn't!