#11  
Old 10-20-2003, 01:25 PM
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Ritualistic Ritualistic is offline
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Quote:
Originally posted by WalkingDead
whats with the fade out stuff. i have seen a couple people do it
I was wondering that same exact thing...
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  #12  
Old 10-20-2003, 02:28 PM
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Quote:
Originally posted by WalkingDead
whats with the fade out stuff. i have seen a couple people do it
A couple people? I thought it was just me... oh well... I think it's a nice touch for my posts because I'm an aspiring screenwriter...

Just me...

Would you prefer something else?

*DOLLY/FADE OUT* - Camera pulls back while fading out.
*SWISHPAN TO BLACK* - A sharp, rapid pan to either side, stopping in darkness.
*EXPOS. TRANS. TO WHITE* - A sort of heat-sensitive effect, where everything is blurred into white.
*CUT TO BLACK* - A sudden... cut, really.

There are dozens of different ways to end the last shot of a flick, I have my favorites, but "*FADE OUT*" works best for me... easier, and all...

*FADE OUT*
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  #13  
Old 10-20-2003, 02:30 PM
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Yeah, I'd say the simple "fade out" will do brother.:)
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  #14  
Old 10-22-2003, 01:53 PM
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Ritualistic Ritualistic is offline
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Quote:
Originally posted by ChaoticMinister
A couple people? I thought it was just me... oh well... I think it's a nice touch for my posts because I'm an aspiring screenwriter...

Just me...

Would you prefer something else?

*DOLLY/FADE OUT* - Camera pulls back while fading out.
*SWISHPAN TO BLACK* - A sharp, rapid pan to either side, stopping in darkness.
*EXPOS. TRANS. TO WHITE* - A sort of heat-sensitive effect, where everything is blurred into white.
*CUT TO BLACK* - A sudden... cut, really.

There are dozens of different ways to end the last shot of a flick, I have my favorites, but "*FADE OUT*" works best for me... easier, and all...

*FADE OUT*
okay i dont know what you look like but for some reason I can imagine you standing and shaping your hands in a box and saying all this ... LOL
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