H3D Script SAMPLE, dialogue needs help i believe, but over all story in the end,ROCKS

[H3orH3D_Script4U]

She pulls up her pants and flushes the toilet. Frightened
she reaches for the door. She opens it revealing MICHAEL
or JAKE standing there, just as there is a flash of
lightning. The HOT BLONDE begins to scream, which is
covered by a loud clap of thunder.

He then grabs her by putting his hand over her mouth,
man handling her, he quickly slams her head into the
sink, breaking her neck like a rag doll.

CUT TO:

(EXT.) (X) HADDONFIELD - GAS STATION - NIGHT -
THUNDERSTORM:

The YOUNG MAN leaning over still pumping his gas, he
begins getting impatient from it taking so long, not
really looking or focusing on anything.

MICHAEL or JAKE catches the YOUNG MANS attention walking
away as if he wasn’t paying attention to the YOUNG MAN.

The YOUNG MAN for some reason put his foot in his mouth.
Getting the big guys attention!

YOUNG MAN
Hey Bub! Halloween is over Bro.
Aren’t you also a little big?
To be playing dress up anyway!

MICHAEL or JAKE then turns and slowly begins
approaching the YOUNG MAN, right as MICHAEL or JAKE
reach the front of the vehicle he stops, just silently
lurking, over the YOUNG MAN in plain sight.

YOUNG MAN
These damn Hummers take forever to
fill up! Don't they?

The pump then clicks indicating the HUMMER is finally
full as the YOUNG MAN now stands there awkwardly as
his cocky demeanor has completely changed. (for some
reason)

The YOUNG MAN then removes the nozzle from the
HUMMER as MICHAEL or JAKE begins approaching him. The
YOUNG MAN with the nozzle still in his hand puts his
hands up, like he is being held up, and begins speaking.

YOUND MAN
Hey man! I'm sorry! I was just
kidd. (kidding)

The YOUNG MAN gets cut off before he can get the last
word of dialogue out. MICHAEL or JAKE quickly grabs the
nozzle and violently shoves it into the YOUNG MAN's eye
socket, hard enough for it to stay on its own. MICHAEL
or JAKE then squeezes the nozzle, setting it in place
allowing it to continue pumping.

P.O.V. of a GROUND VIEW in between the HUMMER and the
pumps as the YOUNG MAN's body falls in the shot facing
the camera with the nozzle in his eye socket, with gas
pumping out his mouth/eye socket/ or nose. The shot
then pans up to the pump as the meter continue to run.

CUT TO:

SCENE #13: CUSTOMER SERVICE

(EXT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

P.O.V. from inside a MASK across the street from the
gas station witnessing what just happened with the sound
of heavy breathing and rain coming down, watching the
other walking out of view to the LEFT SIDE of the SHOT.

Once he is out of view the CLERK then rushes out of the
gas station terrified, rushing over to the YOUNG MAN,
and apparently stopping the gas from pumping. The CLERK
then rushes back towards the entrance.

CUT TO:

(INT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

The CLERK, terrified at what he just saw rushes inside.
He quickly runs behind the counter, and grabs the phone
to dial 911, as he dials the number, he sits down behind
the counter with his back up against it.

CLERK
Oh my GOD! Help me Please! I need
to report a murder! Please Hurry!

FEMALE DISPATCHER (V.O)
Relax take a breath! What's your
location?

CLERK
I'm at the Fill’er Up station on
route 31, there is a dead body out
front. I also let someone use the
restroom outside that never came
back. So I think there might be two
people dead! Holy Shit! Hurry!

As the FEMALE DISPATCHER starts her next dialogue, the
buzzer letting the CLERK know, there is a CUSTOMER
rings. The CLERK realizes someone has entered the gas
station. He slowly pokes his head over the counter.

FEMALE DISPATCHER (V.O)
I need you to remain calm, I'll
radio you some help! Someone will
be there within 10 minutes!

CLERKS P.O.V, you see MICHAEL or JAKE just standing
inside the door, slowly scanning turning his head.

CUT TO: :confused:

[H3orH3D_Script4U]

(INT.) HADDONFIELD - 911 DISPATCH OFFICES:

Showing the DISPATCHER you begin to HEAR the scary
situation on the other end of the line, unfolding.

CLERK (V.O)
Oh my GOD! He's back! What do?
I do!

As the DISPATCHER begins her dialogue you begin to HEAR
what sounds like the CLERK being brutally beaten with
the PHONE.

FEMALE DISPATCHER
(worried)
Do you have anything? To defend
yourself with! You have all the
authority to use lethal force. In
Self Defense!

CLERK (V.O)
NO! Don't! Please! Stop! NO!

The FEMALE DISPATCHER then horrified at gory SOUND of
the CLERK being brutally beaten and pleading for his
life, she decides to RADIO out the situation.

FEMALE DISPATCHER
(radio)
I have a CLERK being attacked at
the Fill'er Up station on route 31.
He said there is one person already
dead and possibly another. I need
someone respond immediately.

CUT TO:

(INT.) (X) HADDONFIELD - GAS STATION - NIGHT -
THUNDERSTORM:

CLERKS P.O.V. looking up at MICHAEL or JAKE as he tosses
the bloody PHONE aside. SHERRIFF BRACKETT responds to
the FEMALE DISPATCHER's radio plea.

SHERRIFF BRACKETT (V.O)
I need as many units to respond on
this one. It's JAKE, I'm 10 minutes
away. We can't let the son of a
bitch get away. Get there NOW!

It then shows a quick shot of the CLERK still alive, but
covered in blood, missing some teeth, and the floor all
around him splattered with blood.

CLERKS P.O.V. as he's shaking and very weak, he reaches
under the counter and pulls out a SHOTGUN and slowly
lifts it aiming it at MICHAEL or JAKE, like he barely
has the strength to lift the GUN, and begins to say.

CLERK
DIE!

As the CLERK says DIE, with the barrel of the shotgun
pointed up at MICHAEL or JAKE, MICHAEL or JAKE arrogantly
cocks his head.

Then with a QUICK CAMERA ACTION grabs the GUN and flips
it around shoving the barrel into the CLERKS HEAD, that
goes into his skull. (he can pull the trigger or not.)
After the MURDER it shows MICHAEL or JAKES legs walking
back towards the door.

Switching to a shot focused on the CLERKS face, now dead
you HEAR the heavy FOOTSTEPS as MICHAEL or JAKE head
towards the door slowly, with the sound of the FEMALE
DISPATCHER on the phone (V.O. improvising), and then
the SOUND of the BUZZER as he exits. As the shot remains
on the deceased CLERK.

FADE to BLACK about 3 or 4 seconds after the buzzer
sounds indicating MICHAEL or JAKE left.

FADE OUT:

SCENE #14 MICHAEL'S ALIVE

FADE IN:

(EXT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

It comes out of the black screen as if some time has
passed, with the CAMERA set up across the street, that
shows an OFFICER taping off the gruesome scene, with 3
or 4 POLICE CARS and their lights flashing, parked in
front of the gas station.

CUT TO:

(INT.) HADDONFIELD - GAS STATION - NIGHT - THUNDERSTORM:

P.O.V. from the DEAD CLERK, looking towards where MICHAEL
or JAKE stood killing him, and in their place SHERRIFF
BRACKETT's standing and is becoming increasingly agitated
with the rising body count.

SHERRIFF BRACKETT
The GOD damn son of a bitch is
worse than his brother! Fucking
nut job runs in that shitty
bloodline, that's for sure. Michael
took my daughter! Well I'm taking
the cock suckers, Brother!

SHERRIFF BRACKETT then flings a small shelf off the
counter in frustration that flies out into the store.

The STORE MANAGER arrives in a pajama get up, and enters
the building. Seeing the SHERRIFF's outburst.

SHERRIFF BRACKETT
Sorry about that! We'll just
pretend like that happened earlier.
It's been a rough couple of days!

The STORE MANAGER ignores SHERRIFF BRACKETT at first,
and rushes over to see the CLERKS body. The STORE
MANAGER places his hand on his forehead in shock.

STORE MANAGER
What am I going to tell his mother?
He was such a good kid.

SHERRIFF BRACKETT
Don't you worry about that, we'll
take care of letting her know!

STORE MANAGER
Yeah! She needs to know before the
news station picks up on it. I'm
sure they're on their way, already.
I knew I shouldn’t have let the
kid, work the late shift. He wanted
to pull a double, so he could have
some extra money for some damn
video game.

SHERRIFF BRACKETT puts his arm on the STORE MANAGER.

SHERRIFF BRACKETT
Stop beating yourself, up! It's not
your fault. Let's take a look at
those surveillance tapes, just to
make sure, and get a print out of
this son of a bitch.

They head into a back room walking out of the scene.

CUT TO:

(INT.) HADDONFIELD - GAS STATION - BACK ROOM - NIGHT -
THUNDERSTORM:

As they walk in the back room the STORE MANAGER pulls
up a chair in front of a COMPUTER SCREEN.

SHERRIFF BRACKETT
I'm going to have to admit, I'm
getting tired of watching these
damn videos. It's the second God
damn one tonight.

They begin watching the screen as MICHAEL or JAKE walk
into VIEW of the pumps just before killing the YOUNG
MAN. Something catches SHERRIFF BRACKETTS attention.

SHERRIFF BRACKETT
What's that?

STORE MANAGER
What’s what?

SHERRIFF BRACKETT
That right there! In the upper left
of the screen. Can you isolate that?
And then zoom in?

STORE MANAGER
Sure can!

SHERRIFF BRACKETT
It's kind of funny! This gas
station has a high tech computer
surveillance system, but you still
got a damn outhouse!

As the MANAGER ZOOMS IN on the image, it becomes clear
to SHERRIFF BRACKETT, that there is more than one
killer, as it shows two MASKED MEN in the same shot.

[H3orH3D_Script4U]

SHERRIFF BRACKETT
Oh my GOD! MICHAEL IS ALIVE! Print
that image, and give it to my guys.
So they can give it to the news
reporter. So the public can also
know what's happening. Thinking
about it! Go ahead and get me one
too. Memory is getting bad with my
old age.

Before SHERRIFF BRACKETT begins to exit he pats the
STORE MANAGER on the shoulder, who is still sitting at
the COMPUTER SCREEN, who hands him the print outs.

STORE MANAGER
Here you go!

SHERRIFF BRACKETT
Thanks man! Sorry about the kid.

SHERRIFF BRACKETT turns to leave the room, but stops
and talks DEPUTY4, just as he walks in.

DEPUTY4
What is it Sherriff?

SHERRIFF BRACKETT hands DEPUTY4 one of the print
outs, while keeping one safely in view, to himself!

SHERRIFF BRACKETT
I want you to give this to the news
reporters, and have them retract
their story about Michael's death.

DEPUTY4
What? You saying Michael's Alive?

SHERRIFF BRACKETT
Unfortunately yes! Then tell them,
that there are not just one, but
there are two of them bastards
to worry about. Can you do that?

DEPUTY4
If that's what you think is best.

SHERRIFF BRACKETT
I want everyone in this town to be
on edge, and for them to report
anything what so ever. Tell them
hell, if they break a nail, call it
in!

DEPUTY4
You got it! I've never seen
you like this!

SHERRIFF BRACKETT
I'm just tired and irritated, should
be in a nice warm bed right now.
But these two assholes have other
things in mind. I'm going to head
out of here, before I waste anymore
time.

DEPUTY4
Alright! You should grab you some
coffee, Sherriff! I got a feeling
that it's going to be a long night.

The scene begins to FADE as DEPUTY4 speaks his last
line.

FADE OUT:

SCENE #15 SHOULD'VE LISTENED

FADE IN:

(INT.) HADDONFIELD - SHERRIFFS VEHICLE - PATROLLING -
ALLEY - RAIN STOPS:

SHERRIFF BRACKETT pulls over in a darkened alley and
begins looking at a picture of ANNIE that is in his
wallet, and then the print out of MICHAEL.

SHERRIFF BRACKETT
I'll get the son of a bitch. Annie!
I promise!

The rain stops. He tosses the picture to the passenger
seat, YAWNS and grabs his CELL PHONE and begins dialing.

SHERRIFF BRACKETT
About time that rain stopped.

SHERRIFF BRACKETT calls DEPUTY SCHLAGEL at the hospital.

SHERRIFF BRACKETT
Hey! It's Sherriff. I was just
calling to see how it's going over
there and how Laurie's doing.

DEPUTY SCHLAGEL (V.O)
Things are good and quite. I
don't know if Laurie is medicated
or what. She's been asleep the
whole time that we've been here.
She has no idea what's happening.

CUT TO:

(EXT.) HADDONFIELD - SHERRIFF'S VEHICLE - PARKED -
ALLEY - CAR RUNNING - RAIN JUST STOPPED:

P.O.V VIEW from INSIDE A MASK about 20 feet or so behind
SHERRIFF BRACKETTS vehicle, that's parked on the right
side of the very dark alley, showing a GARAGE on the
left of the ALLEY, 50 yards up with its GARAGE DOOR UP,
with the light on inside and MUSIC playing loudly, you
also HEAR the heavy breathing again from within the MASK.

The Sherriff continues his phone conversation.

SHERRIFF BRACKETT (V.O)
Good! Now if she does wake up. I
don't want you to say anything
about this, or what is going on. I
want to be the one that breaks the
news that Michael is still alive.

DEPUTY SCHLAGEL (V.O)
Whoa! Whoa! What did I miss?
Michael's ALIVE?

SHERRIFF BRACKETT (V.O)
I just got done watching another
Video! It had both of them bastards
in the same shot. So yeah! The
boogeyman is back!

The P.O.V then begins slowly getting closer to the
SHERRIFF's vehicle as the brake lights, light up.

DEPUTY SCHLAGEL (V.O)
(exhaling, heavily)

SHERRIFF BRACKETT (V.O)
Hey I'm going to get off here.
Remember, if Laurie comes too,
don't say anything to her. I'm
going to patrol a few back alleys
and then make my way over there. I
want to be the one to talk to her
about everything.

DEPUTY SCHLAGEL (V.O)
Sherriff you're repeating yourself,
I think you need a nap! I guess I'll
see you in a few. See you Sherriff!

As the P.O.V. reaches the back of the vehicle, the
conversation ends. You HEAR the beep of the PHONE,
SHERRIFF BRACKETT hangs up the PHONE, pulls away
heading towards the GARAGE, up the alley.

[H3orH3D_Script4U]

(INT.) HADDONFIELD - 2 MAN PARTY GARAGE - ALLEY -
NIGHT - RAIN JUST STOPPED - GARAGE DOOR OPENED:

It opens with music playing loudly, in a Smokey garage
with adult female and black light posters on the walls.

You HEAR the bubbling of a WATER BONG as TEENAGER1, lifts
his head and exhales a big plume of smoke, with a smile on
his face, sitting on a couch that's located in the middle
of the garage, with its back turned from the alley and
the opened garage door, with a circular table in front of
it. TEENAGER2 sees SHERRIFF BRACKETT pull up outside.

TEENAGER2 quietly trying to get TEENAGER1's attention.

TEENAGER2
PSS! PSSSSSS!

It works; TEENAGER1 turns his head after another big hit
from the BONG, he sees SHERRIFF BRACKETT's car, he coughs
it out shocked as smoke goes everywhere.

TEENAGER1 sits the BONG on the floor behind the front of
the couch, by its edge, and then jumps to his feet.

The TEENAGERS face SHERRIFF BRACKETT's car. Who, rolls
down his window, and takes a whiff.

SHERRIFF BRACKETT
Smells like a good time boys!

TEENAGER2 then casually slides the bong more behind the
couch, with his foot. He looks around, like did anyone
see that!

TEENAGER1
I don't know what you’re talking
about, officer!

SHERRIFF BRACKETT
Well that's the least of your
worries boys!

SHERRIFF BRACKETT holds the printout picture up.

SHERRIFF BRACKETT
Have seen this person anytime at
all within the last 24 hours?

The TEENAGERS look at each other, and answer together.

TEENAGER1 and 2
NO!

SHERRIFF BRACKETT
I didn’t think so! I would have
probably been cleaning up your dead
bodies, if you did! Well if you do,
you know who to call right? That pot
didn’t make you forget the number,
to 911? Did it?

The TEENAGERS again look at each other and answer at
the same time, after an uncomfortable pause.

TEENAGER1 and 2
NO!

SHERRIFF BRACKETT shakes his head and snickers.

SHERRIFF BRACKETT
You two have to look at each other
for approval to everything you do.
I don't think I want to know what
else you can't do without each
other. Just saying 2 guys alone in
a garage, one in the morning. Don't
look so good! Ahhh! I'm just
giving you two a hard time. But if
you do see him, my best advice, is
to run the other direction.

TEENAGER1 and 2
Alight officer!

After answering at the same time again, the TEENAGERS
look at each other and shake their heads.

SHERRIFF BRACKETT
You two definitely spend too much
time together!

CUT TO:

(EXT.) HADDONFIELD - 2 MAN PARTY GARAGE - ALLEY -
NIGHT - RAIN JUST STOPPED - GARAGE DOOR OPENED:

P.O.V. inside the mask from behind SHERRIFF BRACKETT's
VEHICLE, again hearing the heavy breathing.

SHERRIFF BRACKETT
I'm out of here boys. Nice talking
to you. And oh yeah! If I was you,
I would probably shut that door and
head in the house. Take it easy on
the reefer boys!

SHERRIFF BRACKETT pulls away.

CUT TO:

(INT.) (X) HADDONFIELD - 2 MAN PARTY GARAGE - ALLEY -
NIGHT - RAIN JUST STOPPED - GARAGE DOOR OPENED:

Now with the TEENAGERS back inside the garage, as they
don't take the SHERRIFF's advice. TEENAGER1 bends
down grabs the BONG from its hiding spot.

TEENAGER1 flops on the sofa, with his back turned from
the open door, he drags the circular table closer to him.

TEENAGER2 flips the light switch flipping off the regular
light and flips on a BLACK LIGHT.

TEENAGER2
Who needs to shut the door? When
you're protected by the light. Don't
go into the light, my little friend!

TEENAGER1 takes a hit from the BONG, and holds it in.

TEENAGER1
You know? maybe this stuff, Isn’t
all that good for us. With the
shit, that comes out of your mouth,
(coughs) kind of makes me wonder.

TEENAGER2 then begins playing with the radio station
changing it, also turning his back, to the open door.

TEENAGER2
Damn pigs! Always trying to be
haters, and ruin a good time.

TEENAGER1 hits the bong as he holds it in and snickers.

TEENAGER1
Yeah man! It's medical, I swear!

TEENAGER2 finally settles on a station that begins
playing some kind of song.

TEENAGER1 takes another big hit and extra suck of air,
holding it in.

TEENAGER2 turns and you see the instant change to
soberness and fear in his face. As he sees MICHAEL or
JAKE standing in the black light, behind TEENAGER1 who is
still holding the hit in oblivious.

TEENAGER2
It's Him!

TEENAGER1 trying to talk and still hold the hit in.

TEENAGER1
It's Who man? It's WHH--

TEENAGER1 just as his lips pucker saying WHO, before he
can finish. MICHAEL or JAKE grabs the back of his head
and slams it onto the FLOURESCENT BONG on the table,
that goes in his mouth and up into his brain.

TEENAGER2 freaks out and begins running towards the door,
that's next to the radio that leads into the back
yard. MICHAEL or JAKE then grabs something heavy, and
with a stiff arm, throws it into the radio, causing a
FAKE RECORD SKIP SOUND and then goes into THE MUSIC.
(YOU KNOW WHAT MUSIC, he must not have liked the music)

TEENAGER2 stops in his tracks as the RADIO explodes,
but he quickly continues on, opening the door and exiting
the garage.

MICHAEL or JAKE slowly turns the other way and walks out
towards the alley.

It then PANS down as the big guy walks out, showing
TEENAGER1's head on the table, with the bong in his mouth
going into his brain, with smoke coming out his nostrils.

FADE OUT:

SCENE #16 LAURIE'S WORST NIGHTMARE

[MichaelMyers]

After reading Jacob's attack on his wife, I have been pondering the concept of giving Michael a brother all day. It is extremely high risk, and only somewhat high reward. It opens a new chapter that I think has to resolve itself in THIS script, since he does not have a brother, nor is one mentioned, in subsequent films. I will read on to see if this is just a "gimmick" (ala "Jason" in Friday the 13th V) or it plays heavily in the story.

[H3orH3D_Script4U]

ZOMBIE touched on LAURIE'S own mental ISSUES quite abit which will come into play with JAKE, also in 4 DR. LOOMIS is still alive, so that also has to be resolved, which I try my best. I like where it goes in the end, personally because it would set up to 4 being able to be made with almost the exact story. So it would fit with the plot.

All together this is about an 1hr. 40 min. to a 1hr 50 min. read average.

you haven't made it to the part yet but That's JAKES mother.

Since they were talking 3D for it, I kind of wanted to make it fun, but also attempted to make it appealing to the older fans, which I am now unfortunetly considered one of those.

[H3orH3D_Script4U]

SCENE #16 LAURIE'S WORST NIGHTMARE

FADE IN:

(INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL -
LAURIE'S ROOM - NIGHT - BEGINNING TO STORM:

It begins with a black screen and a LOUD CRACK of THUNDER
while still black, followed with the SOUND of a NEWS
ALERT beginning broadcast.

It then FADES IN showing the TV in a dark hospital room
that is suddenly lit up by a bright flash of lightning
and another LOUD CRACK of THUNDER, while the NEWS REPORT
continues playing.

The CAMERA then begins to PAN towards the subject in the
bed at a pace that doesn’t show them until the last line
of the NEWS REPORT.

NEWS REPORTER
We interrupt this program to bring
you an important news alert. We
have been informed by our local
authorities that former local
resident and known psychopath,
Michael Myers who was believed to
have been killed, late last night.
Is still alive and on the loose. We
have also been informed, that
another local resident named Jacob
Myers Logan is feared to be acting
as a copycat to Michael. The two
are believed to have murdered
at least 5 people already. We have
also received this image from local
authorities, and that if you are to
see either of these two men, you
are ordered to contact the police
immediately and to not take actions
into your own hands. These two are
considered extremely dangerous
individuals. If we receive any
further information on this growing
situation, we will bring them to
you, as soon as they come in.

LAURIE laying in her bed in the fetal position, wearing
a plain white cotton outfit with her back turned from
the door, showing her emotionless face.

She then in a zombie like state gets out of her bed and
begins lumbering towards the door.

CUT TO:

(INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - HALLWAY -
VERY EMPTY - NIGHT - STORMING:

LAURIE lumbers out, into a deserted hallway, 4 or 5
steps down the hall as the SHOT FOLLOWS her.

Suddenly DEPUTY ANDREWS wraps his arms gently around
LAURIE, who freaks out and begins struggling trying to,
get away.

LAURIE
NO! NO! Let me go! I need to get
out of here! Let Me Go!

DEPUTY ANDREWS
LAURIE stop! We are here to protect
you, there is nothing to worry about.
I promise you! We are right here!

DEPUTY ANDREWS finishes his last line, and SHERRIFF
BRACKETT comes rushing in, who takes over the DEPUTY's
position, wrapping his arms around LAURIE, escorting
her towards her room, while scolding DEPUTY ANDREWS.

LAURIE
He's coming for me!

SHERRIFF BRACKETT
I thought I said not to say anything
to her, until I got here!

SHERRIFF BRACKETT and LAURIE enter her room.

DEPUTY SCHLAGEL
She saw it on the news Sherriff!
There was nothing we could do.

SHERRIFF BRACKETT then returns out of the room without
LAURIE, greeted by DEPUTY SCHLAGEL.

SHERRIFF BRACKETT
Yeah! I guess news travels fast.
UMMM! Where's DEPUTY BOWERS? I
didn’t see him.

DEPUTY SCHLAGEL
Last I seen or heard from him, was
at the hospital. Watching the video
of that woman’s murder. Why you ask
Sherriff?

SHERRIFF BRACKETT
Damn it! Yeah, I sent him here after
he reported BECKY's murder. Michael
must have got him. Damn it! Shit!
These sons of bitches are driving me
crazy. We're spread so damn thin, as
it is.

DEPUTY SCHLAGEL
Do you want me? To get ahold of
DEPUTY BOWERS, wife? Sir!

SHERRIFF BRACKETT
No I don't! He might have got jammed
up, in something else.

DEPUTY SCHLAGEL
You’re the boss!

SHERRIFF BRACKETT
Right now, I kind of wish I wasn’t!
I'm going to go, talk to Laurie.

SHERRIFF BRACKETT pats DEPUTY SCHLAGEL on the shoulder
and heads into LAURIE's room.

CUT TO:

(INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL -
LAURIE'S ROOM - DARK - NIGHT - STORMING:

SHERRIFF BRACKETT enters LAURIE's room as she is
sitting on the edge of her bed, facing the window.

SHERRIFF BRACKETT pulls up a small chair sitting in her
view, as she wipes a tear.

LAURIE
Is it really true? Michael's still
alive!

SHERRIFF BRACKETT
Yes Laurie, it is!

LAURIE
It feels too much like a bad dream!

SHERRIFF BRACKETT
Well it's very real LAURIE. I also
have some news that's going to shock
you!

LAURIE
I don't think it can get much
fucking worse!

SHERRIFF BRACKETT
Well Jacob Logan! The guy, that is
imitating your brother. Laurie, he
is also your brother!

LAURIE
NO! How is that possible?

SHERRIFF BRACKETT
Well Laurie, your father had an
affair with this man’s mother,
just before your father died. She
hid it from everyone, for fear of
the repercussions and the attention.

LAURIE remains silent looking very worried.

SHERRIFF BRACKETT
It will be ok Laurie, you don't
need to worry. There will be an
officer here, the rest of the night.
I just wanted to come see how you
was doing. You should try to get
some rest, the Deputy will come
get you if anything happens. And
Laurie or should I say Angel, I'm
sorry for not telling you, that
Michael was your brother, and
hiding it for so long. Just thought
it was best for you. I'm Sorry!

LAURIE
It's OK. I think I'm past that now!
I'm sorry I couldn’t protect Annie!

[H3orH3D_Script4U]

As LAURIE finishes her statement a call comes over
SHERRIFF BRACKETT's RADIO.

FEMALE DISPATCHER (V.O)
(radio)
You out there? Sherriff Brackett!

SHERRIFF BRACKETT
(radio)
Brackett here! What you need?

FEMALE DISPATCHER (V.O)
(radio)
Sherriff I just received a call
from a young man, that said he had
talked to you, just moments before
his friend was killed in his garage.
He wanted me to tell you, that he
was sorry they didn’t listen to you.
Just thought you would want to know.

SHERRIFF BRACKETT
Damn it! Alright, thank you!

SHERRIFF BRACKETT obviously beaten down some more looks
at LAURIE who is curled up on her bed.

SHERRIFF BRACKETT
I'm going to get back out there,
before anybody else dies. It will
be alright, Laurie! Don't worry!
I'll get the son of a bitch!

LAURIE draws her knees to her chest, and sits up playing
with the sheets, staring blankly into space, as SHERRIFF
BRACKETT exits to the hallway.

CUT TO:

(INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL - HALLWAY -
NIGHT - STORMING:

SHERRIFF BRACKETT exits Laurie's room and sees DEPUTY
SCHLAGEL and DEPUTY ANDREWS sitting and talking.

SHERRIFF BRACKETT
Hey, I only need one of you
outside of her room!

The two DEPUTIES stand to their feet.

SHERRIFF BRACKETT
I want one of you, to head out
front to the cruiser, and then
radio up if you see anything! And
the other to get her out of here,
if you see anything. OK?

DEPUTY ANDREWS
Why don't we just take her
somewhere safe? Right now!

SHERRIFF BRACKETT turns to walk away and responds.

SHERRIFF BRACKETT
I guess, just think of Laurie as
bait! As long as Michael or Jake,
knows where she is, We'll know
where they're going!

SHERRIFF BRACKETT heads down the hall, he sees a blonde
female NURSE, with a pony tail approaching.

SHERRIFF BRACKETT
Are you Laurie’s nurse?

NURSE
Why, yes I am!

SHERRIFF BRACKETT
I would like you to give Laurie
something, to help her get some
sleep. If you would? She's been
through a lot. I don't want her
worrying all night!

NURSE
Sure Sherriff! Not a problem! Just
give me a little bit. I have a few
other things to take care of first.

SHERRIFF BRACKETT
Alright! That's fine, No hurry.

SHERRIFF BRACKETT then exits down the hall.

FADE OUT:

SCENE #17 BROTHERLY LOVE

FADE IN:

(INT.) HADDONFIELD - SHERRIFF'S VEHICLE -
ROAD ALONG SIDE WOODS/RIVER - NIGHT - STORMIMG:

P.O.V. passenger seat looking up as SHERRIFF BRACKETT
is driving with it silent, and just the SOUNDS of the
wipers going back and forth and the rain coming down.

SHERRIFF BRACKETT yawns, wipes some sleep from his eyes,
again showing the ware from the long night.

SHERRIFF BRACKETTS P.O.V. showing the long dark road
ahead. Suddenly he has a vision of MICHAEL walking in
front of the vehicle and turning, to face him.

SHERRIFF BRACKETT stays his course as MICHAEL disappears,
right before being hit, a hallucination.

SHERRIFF BRACKETT
Holy Shit!!!

He shakes his head as if to say I'm awake now.

CUT TO:

(INT.) (X) HADDONFIELD - VEHICLE - PARKED -
JUST BEFORE A BRIDGE - BESIDE WOODS -
NIGHT - STORMING:

VIEW from the back seat, as a young couple is meeting
in the middle of the front seat, kissing passionately.

HORNY GIRL
You couldn’t (kiss) wait (kiss)
to get (kiss) home, huh? (kiss)

HORNY GUY
Your too beautiful, couldn’t do it!

It then shows a shot of each as they say their lines.

HORNY GIRL
(reveals breasts)
Was it these?

HORNY GUY
Definitely! Oh, you’re going to
get it!

P.O.V. from the back seat as the HORNY GIRL topless
climbs to the backseat, with just the sound of the heavy
RAIN.

P.O.V. from the passenger seat as the HORNY GUY puts his
back against the driver side door, stretches his legs
out, over the passenger seat and begins frantically
trying to get his pants off.

Out of nowhere behind him you see the body of a man as if
he is just walking by, quickly followed by the busting of
the glass with a butcher KNIFE going through the back of
the HORNY GUYS head and out the front of his right eye,
with the eye stuck to the tip of the butcher KNIFE, that
dislodges from its socket towards the screen, that plops
off as MICHAEL or JAKE retracts the KNIFE from the HORNY
GUYS head.

The HORNY GIRL begins screaming with blood splattered all
over her chest. MICHAEL or JAKE as if he was just passing
by continues walking, sparing the HORNY GIRLS life.

CUT TO:

[H3orH3D_Script4U]

(EXT.) HADDONFIELD - VEHICLE - SIDE OF THE ROAD -
JUST BEFORE BRIDGE - BESIDE WOODEN AREA -
NIGHT - STORMING:

MUSIC PLAYING (AGAIN YOU KNOW WHAT MUSIC)

After the scene of what just happened.

SLOW MOTION as MICHAEL or JAKE is walking away with the
busted glass, as it is still hitting the ground. The
girl screaming also starts in slow motion and picks up,
as the shot also picks up with the glass as it rebounds
off the road.

MICHAEL or JAKE walks out of scene in regular speed as
the HORNY GIRL continues to scream.

HELICOPTER P.O.V. as MICHAEL or JAKE continues walking
away towards the BRIDGE, that's high above a river. In
the headlights of the parked vehicle.

CUT TO:

(EXT.) HADDONFIELD - BRIDGE - HIGH ABOVE RIVER -
WOODEN AREA BOTH ENDS OF BRIDGE - NIGHT -
STORMING - BROTHERLY LOVE:

P.O.V. from the middle of the bridge as MICHAEL's head
comes into the line of sight in SLOW MOTION over the
bubble of the road in the middle of the bridge, as the
MUSIC plays until his whole body is visible.

P.O.V. from inside a MASK with the sound of breathing,
appearing to be climbing a small grassy ditch and then
steps onto a road showing this person’s feet as they
do all those actions, which then turns towards the bridge
and begins walking, it looks up and shows the image of
MICHAEL or JAKE, who is shocked as he stops where he
is on the bridge. P.O.V. ends with a flash of lightning.
(The audience will have no clue who's who. But I will
show just to make this easier to write.)

MICHAEL already on the Bridge, cocks his head curiously
and takes a large breath, that comes out of his mask,
from the cold air.

A side shot shows both as they look into each other’s
souls for the first time.

They both approach each other with bad intentions.
MICHEAL coming from the right of the screen comes with
a lumbering overhand stab attempt, which is blocked by
JACOB's hand, where he remains holding MICHAEL's arm,
right where he caught it, as JACOB then plunges his knife
into MICHAEL's abdomen. In which MICHAEL reacts, by
grabbing JACOB's arm, as he rips the knife from his body.
Then as both are holding each other’s arms and knifes in
place, MICHAEL head butts JACOB, knocking him on his back.

CUT TO:

(INT.) HADDONFIELD - SHERRIFF'S VEHICLE -
PULLING UP TO BRIDGE - NEED BACK UP - NIGHT -
STORMING:

P.O.V. from backseat as SHERRIFF BRACKETT approaches
the action on the bridge and sees the two.

SHERRIFF BRACKETT
Holy Shit!!!

SHERRIFF BRACKETT then squints and shakes his head,
as if he is seeing things. With the car now stopped.
He grabs the RADIO, for backup.

SHERRIFF BRACKETT
(radio)
It's Sherriff! I need back up!
You're not going to believe this. I
have both of them! We are on the
Rivers Gate Bridge! I need everyone
to respond, I mean everyone! NOW!

He hits the police lights, grabs his gun, exiting the car.

CUT TO:

(EXT.) HADDONFIELD - BRIDGE - HIGH ABOVE RIVER -
WOODEN AREA BOTH ENDS OF BRIDGE - NIGHT -
STORMING - BROTHERLY LOVE 2:

Picks up with the fight on the bridge, with SHERRIFF
BRACKETT, now at the opposite end of the HORNY COUPLE.

With JACOB still on the ground, from the head butt, and
MICHAEL acting like a gentleman, letting JACOB get back
to his feet, or so it seemed.

with JACOB's left hand held high, as he is getting to
his feet. MICHAEL sticks the BUTCHER KNIFE clean through
the palm of JACOB's hand towards the screen (show close
up), and drives JACOB back to the edge of the rail.

As MICHAEL holds the knife still through JACOB's hand and
JACOB's upper body over the rail. High above the river.

SHERRIFF BRACKETT
MICHAEL!!!

MICHAEL slowly turns his head and looks at the SHERRIFF
still maintaining control of JACOB. MICHAEL ominously
turns his head back to the action and swiftly rips the
knife out of JACOB's hand. Grabs JACOB's feet and flips
him over the rail.

P.O.V. inside the mask falling towards the river.

MICHAEL gathers himself and looks towards the SHERRIFF.

SHERRIFF BRACKETT
MICHAEL? Stay where you are!

MICHAEL cocks his head, breathing heavily as shown coming
out the mask in the cold air, he takes a step towards
SHERRIFF BRACKETT who is having none of that.

SHERRIFF BRACKETT
I said stay where you are!

SHERRIFF BRACKETT wastes no time, he pulls the trigger
knocking MICHAEL backwards towards the rail. He fires 3
more times knocking him back each time, upon the last
shot, MICHAEL falls over the rail also.

SHERRIFF BRACKETT runs over to the rail looking down, in
time to see MICHAEL hit the water below.

SHERRIFF BRACKETT near the rail breathes deeply.

CUT TO::confused:

[H3orH3D_Script4U]

(EXT.) HADDONFIELD - BRIDGE - AFTERMATH - NIGHT -
STORMING:

HELICOPTER P.O.V. of the bridge showing the SHERRIFFS
CAR with its lights flashing, with SHERRIFF BRACKETT in
the headlights, in the middle of the BRIDGE, leaning on
the rail, as DEPUTY SCHLAGEL and ANDREWS pull up behind
the SHERRIFF's CAR. The two DEPUTIES jump out and rush
over to the scene.

The SHOT picks up on the bridge.

DEPUTY SCHLAGEL
Where'd they go Sherriff?

SHERRIFF BRACKETT
The EDGE!

DEPUTY SCHLAGEL
What?

SHERRIFF BRACKETT
Over the edge! They went over the
edge!

DEPUTY ANDREWS
Well good! That means they're dead.

DEPUTY SCHLAGEL
Yeah! Nobody could have survived
that fall, Sherriff!

SHERRIFF BRACKETT
You really think it killed them! I
shot the son of a bitch and I don't
think he's dead! You see what he
survived, already! I won't believe
it, until I see the bodies, and when
we find them, we're burning the
bastards!

CUT TO:

(INT.) HADDONFIELD - SHERRIFF'S VEHICLE - PARKED -
EDGE OF BRIDGE - NIGHT - STORMING:

P.O.V. from the passenger seat as SHERRIFF BRACKETT
gets in his vehicle, and leaves the door open, grabbing
his RADIO, as DEPUTY SCHLAGEL and DEPUTY ANDREWS loiter
outside in the rain, close by.

SHERRIFF BRACKETT
(radio)
All units stand down! I now need
2 or 3 boats in the water, just
south of the Rivers Gate Bridge, as
quick as possible. Hopefully we're
just looking for bodies. They went
over the rail and into the river.

The SHERRIFF slams his door, rolls down the window and
barks orders at DEPUTY SCHLAGEL and DEPUTY ANDREWS.

SHERRIFF BRACKETT
Hey! I want the two of you, to get
down along the riverbank, and
begin searching. Make sure you have
your flashlights and your weapons,
and if you come across either of
their bodies. Put some extra
bullets in them.

DEPUTY SCHLAGEL
Sherriff, what about Laurie?

SHERRIFF BRACKETT
She'll be fine, we know where they
Are. We just need to find them! Get
to it!

The SHERRIFF starts his car, and pulls away.

CUT TO:

SCENE #18 NAP TIME

(INT.) HADDONFIELD - PSYCHIATRIC HOSPITAL -
LAURIE'S ROOM - DARK - NIGHT - THUNDERSTORM:

LAURIE's room as she is still sitting up in her bed,
with her knees to her chest with her arms wrapped around
her legs, with her slightly rocking back and forth,
visibly worried.

The NURSE then enters with a small cup of water and some
pills in her hand.

NURSE
It's OK Laurie! There is nothing to
worry about. The Sherriff wants you
to get some sleep. I need you to
take these pills, for me.

LAURIE
NO! I don't need any god damn pills,
I've had plenty of sleep!

NURSE
Laurie I'm serious, there is nothing
to worry about. I overheard on the
Deputy’s radios, they got both of
them, they already took the Deputies
that was here, to the scene.

The NURSE reaches out her hand with the pills.

NURSE
Come on LAURIE, take them!

LAURIE
No, I'm not Dammit !

NURSE
I'm not asking you Laurie! If you
don't take them, I'm coming back
with two big guys, and I'm going to
give you a shot, and then you won't
wake up until tomorrow afternoon.
So what's it going to be?

LAURIE with a defiant look, glances up. the NURSE places
the pills in LAURIE's hand, who throws them in her mouth.
The NURSE hands her the cup of water.

NURSE
Now! I want to see you swallow,
and take a drink.

LAURIE complies!

NURSE
NOW! I want you to open your
mouth and lift your tongue!

The NURSE looks in LAURIE's mouth.

Nurse
NOW! Was that so hard? LAURIE!
NOW! Get some sleep, everything
will be fine.

The NURSE then turns to exit the room and just before
leaving as she shuts the door she quietly says.

NURSE
NUT JOB!

LAURIE, still looking defiant, removes the PILLS from
the top corner of her mouth and tosses them in the trash.

LAURIE
Everything won't be fine!

The scene FADES OUT on LAURIE looking angry.

FADE OUT:

:confused: