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View Poll Results: what makes a movie a classic | |||
It's just born a classic film. | 5 | 22.73% | |
Like a car, 20 years old or older. | 4 | 18.18% | |
1970 or before. | 9 | 40.91% | |
1960 or before | 4 | 18.18% | |
1950 or before | 0 | 0% | |
not one of those darn new fangled talky moving pictures! how about the box the nicklodeon | 0 | 0% | |
Voters: 22. You may not vote on this poll |
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#51
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Re: Re: Classics?
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Even though people might not need to watch the films that started a trend, I cant say they are not worth watching because so many films have done the same, there is always a strange freshness that is hard to pinpoint about the films even if they are not terribly exciting.
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#52
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I do not like any version of the original NOSFERATU, and believe me I've seen half a dozen over the years -- and the damn thing keeps getting longer every time I see it!
First there was the 16mm "condensed" version I saw in high school -- kind of like a Reader's Digest condensed book -- cut down to approximately forty-five minutes (no Renfield or Professor Van Helsing character). Then there was the feature length version they used to show on PBS, but the projection speed was too fast, speeding up the action. Then the laserdisc and DVD fixed that problem, slowing the action back down. Then there was the time I saw it with a live orchestra performing a recreation of the original music score. The print screened was from Germany (with German subtitles) and contained some footage not seen in export prints, and there was an intermission halfway through, just to drag out things even further. In between there have been a couple of VHS tapes with new music added (including one with Goth-rock songs by Type-O Negative) God, I've given that movie every chance, and I never want to see it again! |
#53
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#54
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My key words there were "wide use". The Abyss helped develop the craft, but after JP anything with CG, good or bad, was considered cutting edge, for awhile. It's like the morphing effect in T-2. The technology existed for them to develop that software, but once they did everybody was morphing into something.
Jurassic Park set the standard for dinosaurs and other monster F/X for the films that followed, just like King Kong did for stop motion (even though other films used stop motion before that) and Godzilla did for guys in rubber suits.
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#55
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:confused:
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#56
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The animation in Young Sherlock Holmes had a very stop motion look to it. I think that was the beginnings of good CG, where they give the CG models physical things to relate to. The dinos in JP were mostly patterned after the movement of real animals, not just animated by a computer cartoonist, which is one reason they look better than so many that follow.
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The graveyard is filling up at: www.hocfocprod.com/deathplots Last edited by ADOM; 04-19-2005 at 12:34 AM. |
#57
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the CG in the abyss certainly opened the door to new possibilities .. it was used to even greater extent in Terminator 2 ..
metallic morphing where reflections changed in the morphing surface appropriately ... It looks amazing and can now take us places where we could never go properly before. the charm of the old FX are cool in their own way - but i remember as a kid wishing they could make things look better.. And now they do ... The trick is to just blend in the CGI where absolutely nessessary - complex monsters, alien landscapes, etc .... not use it to replace everything ... |
#58
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..and you know nearly every actor wants to act againts something(even a puppet) ...not against air (blue/green screen).....
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#59
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#60
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Its just born a classic film.
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