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Raphael/Shiva: Horror-Art Diorama(?)
Horror-art (cinema, comics, etc.) are considered so characteristically 'modern' that we might inquire how the development of horror-films and horror-comics reveal distinct features of modernism/modernization. How might we analyze/dissect horror-art in terms of the imaginarium-intrigue associated with modernization paranoia (e.g., anti-globalization terrorism)? Is horror-art (cinema, comics, etc.) reflective of civilization dogma itself? Here, for example, is a hypothetical/symbolic ideological and conceptual dialogue between Raphael (Christian archangel of guidance) and Shiva (Hindu god of destruction) about horror-art quality (e.g., cinema/comics diagrams).
I'm using Raphael and Shiva for this hypothetical dialogue about horror-art and modernism, since these two folk/religious avatars symbolize popular psychology (and diarism) on a global level! How is horror-art like an evolutionary diary? Can we liken horror-art to modern machinery? ==== SHIVA: Americans love horror cinema/art. RAPHAEL: Yes, American horror films are superior. SHIVA: Friday the 13th, Halloween, and Child's Play are iconic! RAPHAEL: Horror-cinema appeal has spawned horror-comics. SHIVA: Yes, and graphic movie-makers may be inspired by horror-cinema. RAPHAEL: Horror films can be sexy...or simply macabre. SHIVA: The emergence of horror-art reveals certain social trends! RAPHAEL: Yes, horror-art speaks to imagination contours. SHIVA: To understand the appeal of horror, you must appreciate crime. RAPHAEL: Crime, sin, vice, shock, terror, and strangeness are horror pillars. SHIVA: The rise of horror-art began in the early 20th Century. RAPHAEL: It really took off after the 1950s! SHIVA: Then it exploded in the late 1970s and 1980s. RAPHAEL: Today, horror-art is as canonical as Cubism or Rock Music! SHIVA: Perhaps modernization creates a demand for 'shock-imagery.' RAPHAEL: Sure; people are interested in traffic turbulence. SHIVA: Traffic is the hallmark of modernism and globalization! RAPHAEL: Right; the Colonial Era was the 'inception' of globalization. SHIVA: Globalization concerns gave rise to the problem of terrorism. RAPHAEL: Yes; 9/11 and the rise of terrorist groups mark this trend. SHIVA: Perhaps modernization gives rise to a special 'mental war.' RAPHAEL: The signature of a 'mental war' is internal strife. SHIVA: Right; there's envy between families and clans and brothers! RAPHAEL: There's animosity between 'neighboring religions' too. SHIVA: Sure; Judaism-Islam is one good example. RAPHAEL: Irish Catholics and British Protestants in Northern Ireland too! SHIVA: The modern age is much about networking and media. RAPHAEL: Media access is important too --- e.g., Al Jazeera. SHIVA: Maybe 'network ergonomics' IQ gave rise to graphic video-games. RAPHAEL: Yes; graphic video-games parallel horror-art and horror-cinema. SHIVA: Yes, Mortal Kombat X is a great example of this modern trend. RAPHAEL: Mortal Kombat X features iconic avatars from horror films. SHIVA: That's correct; it's as if modernization has spawned 'mental waves.' RAPHAEL: These 'waves of imagined turbulence' signal a 'spirit war.' SHIVA: Sure; a hypothetical 'spirit war' suggests we're thinking of doom. RAPHAEL: Why not; isn't modernization linked to developmental terrorism? SHIVA: In that case, we may consider why horror-art parallels terrorism! RAPHAEL: That's a useful parallel... SHIVA: Horror-cinema development is a good sign of social imagination. RAPHAEL: Perhaps Friday the 13th represents 'American dogma.' SHIVA: Friday the 13th films present American fears about doom! RAPHAEL: We think of a zombie-psycho killing random people. SHIVA: The zombie in question here, Jason Voorhees, is a modern monster. RAPHAEL: He wears a hockey-mask, signifying 'modern IQ.' SHIVA: Yes; ice-hockey, like all sports, comprise modern imagination. RAPHAEL: Even though sports was celebrated in Ancient Greece? SHIVA: Sports and games have been around forever, but especially now! RAPHAEL: So, you believe sports/athletics is much more modern? SHIVA: Yes; international sports represent interests in networking. RAPHAEL: I suppose social networking and diplomacy are modern trophies. SHIVA: Certainly; Facebook, Wall Street, European Union (etc.) are modern. RAPHAEL: I suppose A Nightmare on Elm Street is a signature horror-film. SHIVA: Yes; that franchise presents stories about 'pedestrian hell.' RAPHAEL: Right; we see the dream-terrorist Freddy Krueger. SHIVA: Krueger disrupts everyday/pedestrian daydreams... RAPHAEL: He does so in 'typical' American neighborhoods. SHIVA: Right; Elm Street therefore is a signpost of modernism IQ. RAPHAEL: So, we might link horror-art/cinema to modernism itself! SHIVA: Why not; isn't horror-art more modern compared to other genres? RAPHAEL: Maybe controversies in horror-art comprise an imaginarium battle. SHIVA: Sure; horror-cinema intrigue reveal modern architecture. RAPHAEL: That's why horror-comics illuminate modern daydreams! SHIVA: Yes, horror-comics surely represent modern dogma. RAPHAEL: Someone should write an expose of horror-art diagrams! ==== {Raphael/Shiva} |
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