View Single Post
  #21  
Old 09-02-2013, 02:37 AM
_____V_____'s Avatar
_____V_____ _____V_____ is offline
For Vendetta
 
Join Date: Mar 2005
Posts: 31,677
Spider Baby or, The Maddest Story Ever Told (1968)
Wikipedia Link





Witchfinder General (1968)
Wikipedia Link





Rosemary's Baby (1968)
Wikipedia Link





Targets (1968)
Wikipedia Link



Quote:
Its low key story of an aging horror movie star disarming a sniper at a drive in theatre neatly encapsulates the transition from old school to modern horror not only in films of the era, but the world itself at that time.

Peter Bagdonovich burst upon the scene with this film, and after the brilliant The Last Picture Show, he never made another great film. This is also Boris Karloff's last great performance. He fretted over filming the long speech in the hotel room, but after a few stiff drinks with director Bagdonovich, he nailed it in one take.

This low budget masterpiece is a great statement of its times. It IS horror, and it transcends horror. - neverending


Night of the Living Dead (1968)
Wikipedia Link





The Cremator (aka) Spalovač Mrtvol (1969)
Wikipedia Link



Quote:
This is not only one of the best movies of the 60's but one of the better horror movies ever made. Not only does it epitomise the era, its one of the finest portrayals of a serial killer ever given.

Rudolf Hrunsinsky puts in an amazing performance as The Cremator - he has this perfect disarming and unassuming look that will remind veiwers of a young Peter Lorre and a voice that is almost soothing to listen to, but from the start you are made aware that there is something so wrong and insidious about this guy.

The movie, while set against the backdrop of the second world war, is purely about the complusive mind of The Cremator. Totally obsessed with his work or what he sees as his duty, every action he takes is about furthering his work and realising his ambitions. What makes The Cremator such a perfect villian is the purety of his thoughts and mind, this is a guy so self obsessed and so single minded that he is prepared to use the Nazi party as a tool to realise his ambition while seeming totally ambivalent to their cause. For The Cremator they are just a tool to further his ambition.

The cinematography from Stanislav Milota is some of the finest work you will ever see, freeze frame at any point in this movie and you will have a beautiful still. Every shot, every scene is beautifully planned and executed. Scenes flow into each other with ease and the story plays out like a waking nightmare. Some of the scenes are amongst the best the genre has to offer.

Dark, atmospheric, visceral portrait of a disturbed mind, categorised as a horror comedy by IMDB, this is horror with a gentle hint of disturb humor, but certainly no comedy. Juraj Herz wrote and directed a masterpiece. There is no doubt in my mind that if this movie had the exposure other movies get or you simply switched the name Juraj Herz for David Lynch on the cover of the movie, this movie would be rightly considered a masterpiece of our genre.

I recommend to all of you that if you ever get the chance to watch this movie (can be found on youtube and now available on DVD after being lost for some 40 years) then take the time to give it a watch. It really is an amazing movie and in an era of great movies it easily stands alongside the best of the era. - Straker
__________________
"If you gaze for long into an abyss, the abyss gazes also into you." - Friedrich Nietzsche

Last edited by _____V_____; 04-11-2014 at 09:56 PM.
Reply With Quote