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Old 06-27-2018, 07:56 PM
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Sculpt Sculpt is offline
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Originally Posted by LuvablePsycho View Post
I guess you mean his movies didn't take themselves as seriously as Romero's movies did with the social commentary right?

But in this movie voodoo was mentioned a lot and some of the people (like Lucas) were blaming the dead coming back to life on voodoo and Brian even said that the other islanders tended to avoid going to Matul because they believe it was curse

I guess it's not too different from the guy in Dawn of the Dead talking about "When there's no more room in Hell". I guess it was all a matter of what each character wanted to believe it was. Lucas and the local islanders believed it was a voodoo curse, while Dr. Meynard believes that there had to be a scientific explanation even if he couldn't find it because the outbreak was spreading too fast.

And like I said we never saw any actual voodoo being performed in this movie which I think was meant to mean something.
Yeah, I vaguely remember the natives saying it was voodoo and the dr wanting to find the scientific cause... but you know, what happened with that plot line?

I always look at Fulci's film The Beyond (1981) as an example... where impossible things happen, there's a lack of logic, and even chronological jumps or jump-cuts going on... leading viewers to assume it's a "dream sequence" or nightmare, or surreal film. This isn't unusual for the Italian Giallo films.

So even though Zombi 2 was made before The Beyond, I saw them in reverse -- and so I wasn't looking for Zombi 2 to make a lick of sense, and I wasn't disappointed there.

And yes, to answer your question directly: no, I don't think Lulci took Zombi 2 seriously in the way Romeo did, or may have, for his Night of the Living Dead series. That is to say, Lulci has made a number of different types of films, including documentaries, so he isn't being incompetent, it's just his horror films aren't intended to be realistic; so I naturally balk at a conversation trying to establish a logical detail in one of his Giallo horror films. That's not to say there isn't any deep symbolism or cutting social commentary in the films, but that might be a wacky journey to find them.
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Last edited by Sculpt; 06-27-2018 at 08:15 PM.
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