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MIRROR, MIRROR ...Tarsem Singh's take on the Snow White tale by Brothers Grimm.

Mirror Mirror is an upcoming comedy fantasy film based on ''Snow White'' by the Brothers Grimm. It is directed by Tarsem Singh and stars Lily Collins, Julia Roberts, Armie Hammer, and Sean Bean.

The film will be released in US theaters on March 16, 2012.

Relativity's "Mirror Mirror" is a spectacular reimagining of the classic fairy tale starring Oscar winner Julia Roberts as the Queen, Lily Collins ("The Blind Side") as Snow White, Armie Hammer ("The Social Network") as Prince Alcott, Sean Bean ("Game of Thrones," "The Lord of the Rings") as the King and Nathan Lane ("The Lion King," "The Birdcage") as the Queen's hapless and bungling servant, Brighton. An evil queen steals control of a kingdom and an exiled princess enlists the help of seven resourceful rebels to win back her birthright in a spirited adventure comedy filled with jealousy, romance and betrayal that will capture the imagination of audiences the world over.

TITANIC 3D ...the 3D re-imagining of James Cameron's BO bestseller, with an introduction by the man himself.

Titanic will return to 3D, Digital 2D and IMAX screens on April 6, 2012.





RAZE ...a girl fight film described as Fight Club meets Hostel.

Stars Zoe Bell(Kill Bill, Game of Death, Grindhouse, Hansel and Gretel: Witch Hunters) and Rachel Nichols(Star Trek, P2, The Amityville Horror).





THE AMITYVILLE HAUNTING ...arriving on DVD December 13 from Asylum.

Jon Kondelik stars in the film that portrays "Actual found footage that documents the horrifying experiences of a family that moved into the infamous haunted house."

LITTLE DEATHS ...looks promising.

What would you do for the ultimate sexual rush? Welcome to a world where illicit sexual desire propels seemingly ordinary people to act out fantasies that can separate monotony from ecstasy…but also transform life into agonizing death!

On December 13th, Image Entertainment releases the critically acclaimed psychological thriller Little Deaths (review) on unrated DVD. The opening night film at this year’s SXSW Film Festival, Little Deaths presents three titillating and terrifying tales of sex, power – and retribution – and what happens when these primal forces are violated.

In the vein of such classic horror anthologies as “Dead of Night,” “Tales from the Crypt” and “Tales from the Darkside,” Little Deaths takes the hunger for sex beyond pain and pleasure into the realm of a living nightmare. Have at it...if you dare!

In “House & Home,” written and directed by Sean Hogan, the ultimate revenge fantasy gets a kinky upgrade. Affluent couple Richard and Victoria (Luke DeLacey and Suibhan Harrison) have a particularly debasing sexual foible. They pose as religious good Samaritans and lure less fortunate women to their luxurious home, only to abduct and assault them as part of their “entitlement” to the good life. But their latest capture, a homeless woman named “Sorrow” (Holly Lucas), just might show that they’ve bit off more than they can chew...

In Andrew Parkinson’s “Mutant Tool,” Jennifer (Jodie Jamieson) is a former prostitute and drug addict trying to get her life back on track, but living with her former pimp/drug dealing boyfriend Frank (Daniel Brocklebank) isn’t helping matters. Jen’s seeing a psychiatrist, who suddenly has Jen taking a new medication. While warned of potential side effects, Jen starts experiencing psychic connections and shocking visions of someone behind plastic curtains – bound, helmeted, dangling in the air and in a painful state of perpetual sexual arousal. As these hallucinations intensify, Jen comes to realize that she’s part (with Frank’s collaboration) of a terrifying experiment in manufacturing – and bottling – the ultimate sexual high.

Written and directed by Simon Rumley – the indie sensation behind Red, White and Blue -- “Bitch” details the sado-masochistic relationship between receptionist Claire (Kate Braithwaite) and her docile and obedient boyfriend Pete (Tom Sawyer). Ironically, while Claire literally treats Pete like a dog – going so far as occasionally leashing him and having him sleep in a doghouse – Claire also suffers from a pathological fear of canines. But when Claire’s sexual games become more than he can bear, Pete puts in motion a series of events that will not only give Claire a taste of her own medicine, but add new meaning to “going to the dogs...”