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CHANDU THE MAGICIAN (1932)>>>>>>SPOILERS>>>>>>>>>>> Wasn't really crazy about this, but watching with the great Greg Mank commentary made me appreciate it more. real good Kenneth Strickfadden machinery and really decent special effects as well for the time. The story is quite silly-for God only knows what reason, Chandu's brother builds a Death Ray::shocked:: and is kidnapped by Roxor (played to the hilt by Bela Lugosi) on how to use it for World Domination. Edmond Lowe is sort of dull as Chandu (a lot like DR Strange), but Irene Ware (THE RAVEN 1935) is OK and a rather racy scene at the slave market with Chandu's niece! Really a Popcorn movie, although in hindsight, when Roxor has the DR, he emotes in loving detail of what will happen to the cities He uses it on, it's actually kind of frightening. It almost foreshadows Hitler's mannerisms and how he had no qualms in leveling cities/populations. *** |
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THE UNKNOWN (1927). Silent movies can be difficult to get through as they require more attention, but don't count them out as the payoff can be so good. This is an incredibly perverse little film about the things a man will do for love and actually, quite disturbing. Lon Chaney nails it again. ***1/2
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Also, I’d like to see a new version or update to the invisible man. Could do some really interesting things with current technology, I think Verhoeven’s Hollow Man was the last legit attempt at an update to the story. We’re overdue. ... Just hope they don’t do what they did to the Mummy ( shudders ) |
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I remember seeing the original INvisible Man, and Claude Rains was scaring me just sitting at his table talking. He was completely convincing as an angry, condescending, evil, crazy man. |
Laura (1944)
8/10 https://i0.wp.com/derekwinnert.com/w...576.jpg?zoom=2 In this film noir drama, a Manhattan police detective Mark McPherson (Dana Andrews) investigates the murder of a beautiful, well liked, successful, socialite, Laura Hunt (Dana Andrews), by interviewing her arrogant, older, controlling mentor, columnist Waldo Lydecker (Clifton Webb) and the man Waldo despises, Laura's playboy fiancee Shelby Carpenter (Vincent Price). Rather than being a hard boiled film noir crime picture, it's served sunny-side-up as a deep drama of depthful unique characters whose own interests and motivations are peeled away like onions, slow cooking a dish you're invested in. However it's not without its deficits. We know Waldo well, but emotions are dry when it comes to the starch-shirted feelings of Detective McPherson and charitable Laura. The movie plays more a well-told mystery than a thriller, with suspense of intention, not of action. Laura (1944) won the Oscar for Best Black-and-White Cinematography for Joseph LaShelle, Nominated Best Director for Otto Preminger, and Nominated Best Actor in a Supporting Role for Clifton Webb. |
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