_____V_____
06-12-2011, 10:20 PM
Getting some really good reviews.
this engaging and strikingly photographed bauble centers on a woman, Jena (Daria Panchenko), who is in an accident and finds herself stuck in a strange motel room, where she becomes locked in a sort of existential game of cat-and-mouse with her soul (Russian-born model Diana Rudychenko). Jena’s one-time and lasting love, Aken (Stany Coppet), also pops up, but for the longest time he is neither able to see Jena’s soul nor help her find passage out of this confinement. As Jena pleads for another chance with Aken, her soul teases her with revelations about his other romantic liaisons, puts a few hot and heavy moves on Jena herself, and eventually dictates to her that her fortune be decided by a deck of cards.
Thematically, we’re firmly in Ingmar Bergman territory here, as perhaps refracted through the lens of an Eraserhead-era David Lynch. Fear of death is the big subject, but all of the big life questions — as well as chiefly the friction between heart and head, desire and intellect — inform the sense of generalized anxiety that course through the movie.
http://www.shockya.com/news/2011/06/12/mortem-movie-review-dances-with-films/
http://www.fest21.com/m21_entertainment/en/film/mortem
http://en.unifrance.org/movie/32605/mortem
Official site - http://www.ericatlan.org/
this engaging and strikingly photographed bauble centers on a woman, Jena (Daria Panchenko), who is in an accident and finds herself stuck in a strange motel room, where she becomes locked in a sort of existential game of cat-and-mouse with her soul (Russian-born model Diana Rudychenko). Jena’s one-time and lasting love, Aken (Stany Coppet), also pops up, but for the longest time he is neither able to see Jena’s soul nor help her find passage out of this confinement. As Jena pleads for another chance with Aken, her soul teases her with revelations about his other romantic liaisons, puts a few hot and heavy moves on Jena herself, and eventually dictates to her that her fortune be decided by a deck of cards.
Thematically, we’re firmly in Ingmar Bergman territory here, as perhaps refracted through the lens of an Eraserhead-era David Lynch. Fear of death is the big subject, but all of the big life questions — as well as chiefly the friction between heart and head, desire and intellect — inform the sense of generalized anxiety that course through the movie.
http://www.shockya.com/news/2011/06/12/mortem-movie-review-dances-with-films/
http://www.fest21.com/m21_entertainment/en/film/mortem
http://en.unifrance.org/movie/32605/mortem
Official site - http://www.ericatlan.org/